Wender·Vista
Aosta Roman Gate
shown on ceramic, 12-inch tileItaly
in Aosta, the Roman town under the Alps

Aosta Roman Gate

— still the way in, two thousand years on.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The eastern gate of Augusta Praetoria, the colony Rome laid out in 25 BC where the valley narrows toward the high passes. Two parallel walls of grey conglomerate, three arches deep, with a courtyard between them where soldiers once formed up. People still take the central passage to reach the old town. The marble that once faced the stone is long gone, and the gate now sits a couple of metres below the modern street. Aosta is called the little Rome of the Alps. This is the part you walk through to believe it.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Aosta Roman Gate, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Aosta Roman Gate

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Aosta sits at 583 metres in the Aosta Valley, the bilingual Alpine region of northwest Italy, about 110 km north of Turin where the Dora Baltea and Buthier rivers meet. Rome founded the town in 25 BC as Augusta Praetoria Salassorum, settling 3,000 veterans on a grid laid over ground taken from the Salassi. The Porta Praetoria was the eastern of the colony's gates, opening onto the Via delle Gallie, the road that climbed toward the Great and Little St Bernard passes into Gaul. That grid is still legible in the streets today, which is why Aosta is called the little Rome of the Alps.

— informed by Wikipedia, Italia.it
the stone

The gate is built of puddingstone, a hard local conglomerate, in two parallel screens that stand about twelve metres apart with a paved court between them where the garrison could muster. Each screen carries three arches: a wide central passage for carts and two narrower ones for people on foot. The outer face was once clad in marble, long since stripped, and vertical grooves still mark where wooden gates were lowered each night. Two flanking towers rise roughly eleven metres. Centuries of silt off the Buthier and the Dora Baltea have raised the ground, so the original Roman threshold now sits about two metres below the modern street.

— informed by LoveVDA
the visit

The gate stands open on a pedestrian street between Via Sant'Anselmo and Via Porta Praetoria, free to walk through at any hour, at the centre of a town that reads like an open-air museum. Within a few minutes' walk are the Arch of Augustus, raised in the same Augustan moment, a Roman theatre whose facade still rises 22 metres, and long stretches of the original walls. In the Middle Ages a chapel to the Holy Trinity stood on top and the gate took the name Porta Sant'Orso; the chapel came down in 1926. Mont Blanc and the Great St Bernard pass lie close at hand.

— informed by Italia.it, LoveVDA
where
Italy · Aosta, Aosta Valley
elevation
583 m · 1,913 ft
position
45.7375° N · 7.3225° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.5 km E
Arch of Augustus
Roman arch
0.2 km N
Aosta Roman Theatre
Roman theatre
0.3 km E
Collegiate Church of Sant'Orso
medieval collegiate church
0.3 km W
Aosta Cathedral
cathedral
0.3 km W
Cryptoporticus
Roman cryptoporticus
0.8 km E
Roman Bridge
Roman bridge
N
Aosta Roman Gate
Arch of Augustus
Aosta Roman Theatre
Collegiate Church of Sant'Orso
Aosta Cathedral
Cryptoporticus
Roman Bridge
common questions

What people ask.

A few questions we get about Aosta Roman Gate — and about bringing the piece home.
about the place

It is the Porta Praetoria, the eastern gate of Augusta Praetoria, the Roman colony founded in 25 BC that is now Aosta. It is a double gate of three arches each, flanked by two towers, and one of the best preserved Roman monuments in the Alps.

It is two parallel walls set about twelve metres apart, each pierced by three arches, with a paved courtyard between them. The enclosed space let the garrison control who passed and muster troops before the inner gate opened.

Two thousand years of silt carried down by the Buthier and Dora Baltea rivers raised the ground around it. The original Roman threshold now rests roughly two metres below the modern street.

The town keeps the rectangular street grid Rome laid out in 25 BC, along with the Porta Praetoria, the Arch of Augustus, a Roman theatre, and stretches of city wall. Few Alpine towns preserve so much Roman fabric in daily use.

In the Middle Ages a chapel dedicated to the Holy Trinity stood on the gate, which then took the name Porta Sant'Orso after the nearby Sant'Orso district. The chapel was demolished in 1926.

Yes. The Porta Praetoria stands on an open pedestrian street between Via Sant'Anselmo and Via Porta Praetoria, free to pass through at any hour. It is still the main way into the historic centre.

Within a short walk are the Arch of Augustus, the Roman theatre with its 22-metre facade, the cryptoporticus near the cathedral, and long sections of the original walls. The Roman bridge sits just east over the old riverbed.

about the piece in your home

It has carried well for customers connected to the valley. The Porta Praetoria is the town's signing image, the gate locals walk through daily. A Keepsake or Small with a handwritten note from the studio travels nicely.

The grey-and-amber stone palette settles into European traditional rooms, warm minimalist spaces, and Old World studies with leather and walnut. It reads as well in a quiet hallway as over a desk.

Yes. The warm-stone neutrals and classical arch suit the current return to heritage and European-traditional interiors, where aged architecture and earthy tones are doing the work that cool grey did a few years ago.

Above a sofa, a single Large holds the wall on its own. For a wider span, a 4-tile Mural gives more presence, and a 9-tile Mural reads as a true centrepiece over a long console or sideboard.

Yes. Order it in the Dura Satin or Matte finish for damp or high-use rooms. Both are scratch-resistant and hold up to steam, which makes them right for a backsplash or a bathroom wall.

A soft microfibre cloth with plain water is all it needs. The colour lives in the ceramic surface beneath a thin glossy finish, so it wipes clean and will not fade with normal cleaning.

Yes. Every WenderVista piece is made in one studio in Knoxville, Tennessee, by Reid Wender. The art is not licensed or reprinted from any other source.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.
— a collection

The Italian Dolomites,
painted slow.

The valleys between Cortina and Val Gardena, the tarns you walk an hour to see, the towers that turn the colour of a banked fire just before dark. Wander the collection by valley, by season, or follow the path Reid walked.

Tre Cime
Braies
Misurina
Sorapis
Cinque Torri
Sassolungo
Marmolada