Wender·Vista
Shahr-e Sukhteh
shown on ceramic, 12-inch tileIran
on the Helmand floodplain, in Iran's southeastern Sistan

Shahr-e Sukhteh

— a city the wind has been keeping for five thousand years.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A Bronze Age city on the Sistan plain near the Afghan border, raised in mudbrick around 3200 BC and abandoned by about 1800 BC after the river that fed it shifted. The site covers more than 150 hectares of low mounds and burnt earth, the colour of the surrounding desert except where excavation has cut to the old streets. The archaeologists working here have lifted the world's earliest known artificial eyeball, a backgammon set, and the first surgically trephined skull. The wind comes off the plain almost every afternoon. — from the studio

from the studio
Shahr-e Sukhteh
— bring it home

Shahr-e Sukhteh, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Shahr-e Sukhteh

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Shahr-e Sukhteh, the Burnt City, lies on the eastern edge of the Iranian plateau in Sistan and Baluchestan Province, about 57 kilometres south of Zabol along the road to Zahedan. The site sits on a former branch of the Helmand River delta, on the flat Sistan plain a few dozen kilometres from the Afghan border. It was founded around 3200 BC and grew into one of the largest urban centres of its era, covering some 151 hectares and divided into residential, industrial, monumental, and burial quarters. UNESCO inscribed Shahr-e Sukhteh as a World Heritage Site in 2014.

the year

Excavations led by the Italian archaeologist Maurizio Tosi from 1967 onward, and continued by Iranian teams since the 1990s, have made Shahr-e Sukhteh one of the most-studied Bronze Age sites in West Asia. The cemetery alone holds an estimated 25,000 to 40,000 graves and has yielded an artificial eyeball of bitumen and gold thread on a woman dated to roughly 2900 BC, a backgammon-like board game with sixty pieces, and a skull bearing evidence of surgical trephination that healed before death. A clay goblet decorated with five sequential goat-and-tree images is often cited as the earliest known animated sequence.

— informed by Wikipedia
the visit

The site is reached by road from Zabol, about an hour north, or from Zahedan, the provincial capital, about three hours south by Route 95. There is a small on-site museum, and the central excavated areas are walkable on marked paths. Sistan and Baluchestan sits in one of the hottest, driest corners of Iran; the practical visiting window is October through April, when daytime highs drop into the twenties Celsius. The Sistan basin is also subject to the Bad-e Sad-o-Bist-Roozeh, the wind of 120 days, which blows from late spring through summer and once kept the city's terraced courtyards cool.

— informed by UNESCO
where
Iran · Zabol County, Sistan and Baluchestan
position
30.6000° N · 61.3333° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
57 km N
Zabol
city
200 km S
Zahedan
provincial capital
60 km NW
Hamun Lake
wetland
80 km NW
Kuh-e Khwajeh
sacred mountain
N
Shahr-e Sukhteh
Zabol
Zahedan
Hamun Lake
Kuh-e Khwajeh
common questions

What people ask.

A few questions we get about Shahr-e Sukhteh — and about bringing the piece home.
about the place

Shahr-e Sukhteh, the Burnt City, is on the Sistan plain in Sistan and Baluchestan Province in southeastern Iran, about 57 kilometres south of Zabol and not far from the Afghan border.

The city was founded around 3200 BC and was largely abandoned by about 1800 BC, after the Helmand River branch that fed it shifted away. It flourished for roughly 1,400 years across four main occupation phases.

Two major fires, the latter around 2100 BC, left burnt layers across large parts of the settlement and gave the site its Persian name, Shahr-e Sukhteh. Soil discolouration from those fires is still visible at the surface.

Notable finds include the world's earliest known artificial eyeball, made of bitumen and gold thread, a backgammon-like board game with sixty pieces, a trephined skull that healed, and a goblet often described as the earliest animated sequence.

Yes. UNESCO inscribed Shahr-e Sukhteh on the World Heritage List in 2014, citing its scale, the preservation of its mudbrick architecture, and its evidence of long-distance Bronze Age trade across the Iranian plateau.

The archaeological zone covers about 151 hectares of low mounds and burnt earth, divided in antiquity into residential, industrial, monumental, and cemetery quarters. The cemetery alone is estimated to hold tens of thousands of graves.

about the piece in your home

It has been a meaningful gift for customers with Iranian roots and for archaeologists drawn to Bronze Age Sistan. A Small or Medium with a handwritten note from the studio carries well.

The desert ochres and burnt earth tones suit Persian-modern, Earthy Minimalist, and warm Mediterranean rooms. The piece also lands in a quiet study with leather, brass, and old books.

Yes. The warm minimalist and Earthy Wabi look that has carried through 2025 and 2026 favours exactly this palette of desert clay, ochre, and burnt umber. The stained-glass light gives it depth a flat painting cannot.

Above a standard sofa, a single Large reads well at eye level. For a longer wall, a 4-tile Mural opens the plain out; a 9-tile Mural turns the wall into the mounds at the end of an afternoon.

Yes. Choose Dura Satin or Matte for bathrooms, kitchen backsplashes, and any vertical install near steam or splash. Reserve the Glossy finish for framed wall pieces away from direct water.

A soft microfibre cloth with plain water is enough. For kitchen installs, a drop of mild dish soap is fine. Skip abrasive pads and ammonia cleaners; the surface does not need them.

Yes. Every WenderVista piece is original to the studio, painted in our signature stained-glass visual language by Reid Wender. We do not license the work and do not sell it through other shops.

if this one stayed with you

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