Wender·Vista
Pasargadae
shown on ceramic, 12-inch tileIran
on the high plain of Fars, north of Persepolis

Pasargadae

the first capital, still standing in the grass.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The first capital of the Persian empire, set on a dry upland plain in Fars. A six-tiered limestone tomb stands almost alone in the field — the resting place of Cyrus the Great, who founded the city around 546 BCE. The palaces are columns and foundations now. Sheep cross the ground where the audience hall stood. The wind carries most of the sound away. from the studio

from the studio
Pasargadae
— bring it home

Pasargadae, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Pasargadae

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The site sits on the Morghab plain in Fars Province at about 1,900 metres elevation, roughly 90 kilometres northeast of Persepolis and 130 kilometres from Shiraz. Cyrus the Great founded the city around 546 BCE as the first capital of the Achaemenid Empire, after his victory over the Median king Astyages. The complex includes the Tomb of Cyrus, the Tall-e Takht citadel platform, two royal palaces, a gatehouse, and a walled garden often cited as the earliest example of the Persian charbagh form. UNESCO listed Pasargadae as a World Heritage property in 2004.

the stone

The tomb is built of large white limestone blocks cut to fit without mortar, raised on six receding tiers to a small gabled chamber about 11 metres tall. Alexander the Great visited in 324 BCE and ordered its restoration after finding it disturbed; the Greek historian Arrian recorded the inscription, said to read "I am Cyrus, king, an Achaemenid." After the Islamic conquest the chamber was absorbed into a small mosque; the added carvings were cleared during conservation work in the 1970s. Nearby palace stones still carry trilingual cuneiform in Old Persian, Elamite, and Babylonian.

the silence

Pasargadae is one of the quietest of the great Achaemenid sites. Few visitors reach it compared with Persepolis, about an hour and a half south by road; the access route runs through villages and wheat fields rather than tour-bus parking. The plain is open in every direction, ringed by the Zagros foothills. Spring brings short grass and red anemones around the tomb, summer turns hot and dry, winter is cold enough for snow on the citadel ridge. There is one small museum, a single ticket office, and no town immediately adjacent the ruins.

where
Iran · Pasargadae County, Fars Province
elevation
1,900 m · 6,234 ft
position
30.1944° N · 53.1675° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
87 km S
Persepolis
Achaemenid capital ruins
80 km S
Naqsh-e Rustam
royal rock-cut tombs
130 km SW
Shiraz
city
3 km N
Pasargadae Caravanserai
Safavid-era caravanserai
N
Pasargadae
Persepolis
Naqsh-e Rustam
Shiraz
Pasargadae Caravanserai
common questions

What people ask.

A few questions we get about Pasargadae — and about bringing the piece home.
about the place

Cyrus the Great, founder of the Achaemenid Persian Empire, built Pasargadae as his capital around 546 BCE, following his defeat of the Median king Astyages.

Pasargadae sits on the Morghab plain in Fars Province, Iran, about 90 kilometres northeast of Persepolis and 130 kilometres from Shiraz, at roughly 1,900 metres elevation.

A six-tiered limestone monument about 11 metres tall, holding a small gabled chamber that once contained the body of Cyrus the Great. Alexander the Great visited and ordered its repair in 324 BCE.

Yes. UNESCO inscribed Pasargadae in 2004 for its outstanding early examples of Achaemenid royal art and architecture, including the tomb, palace ruins, and the earliest known Persian charbagh garden plan.

Most travellers come from Shiraz as a day trip, often paired with Persepolis. The drive is about two hours each way on Highway 65. Spring and autumn are the most comfortable seasons.

The Tomb of Cyrus, the Tall-e Takht citadel platform, foundations of the Private Palace and Audience Hall, a gatehouse with a fragment of a winged-figure relief, and the outlines of the royal garden.

about the piece in your home

It has been a meaningful gift for customers with Iranian roots. Cyrus the Great holds a deep place in Persian identity, and the tomb image carries that weight quietly. A Small or Medium with a handwritten card from the studio reads well.

The piece sits well in warm minimalist, earth-tone modern, and library-study interiors. The limestone palette and stained-glass detail pair with leather, brass, walnut, and natural linen rather than high-gloss or cool-grey palettes.

Yes. The stone tones and quiet composition align with the broader move toward warm minimalism and heritage objects in 2025-2026 interiors, where one anchoring artwork replaces a wall of small prints.

A single Large reads well above most consoles and accent chairs. For a standard three-seat sofa, a 4-tile Mural carries the wall; for a long sectional or a stairwell, a 9-tile Mural is the right scale.

Yes, in Dura Satin or Matte finish. Both are scratch-resistant and tolerate steam and splash, so the piece can live behind a vanity, in a powder room, or as a kitchen accent.

A soft microfibre cloth and plain water. The colour is infused into the ceramic surface beneath a protective top layer, so the piece does not need polish, wax, or specialised cleaners.

Yes. Every WenderVista piece is original work from a single studio in Knoxville, Tennessee. We do not licence images or resell stock art.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.