Wender·Vista
Kermanshah
shown on ceramic, 12-inch tileIran
in the western Zagros, on the old road from Baghdad to Tehran

Kermanshah

— rock reliefs older than the road that runs past them.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

An old city of the western Zagros, set on the Silk Road route that ran from Mesopotamia up onto the Iranian plateau. The rock reliefs at Taq-e Bostan are cut into a cliff at the city's edge, with sculpted scenes of Sasanian kings under arched grottoes. East of town the cliff at Bisotun carries the trilingual inscription Darius I ordered cut around 520 BC, the inscription that gave the 19th century its key to Old Persian. Kurdish is widely spoken in the bazaar. The summers are dry; the winters bring snow.

from the studio
Kermanshah
— bring it home

Kermanshah, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Kermanshah

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Kermanshah is the capital of Kermanshah Province in western Iran, set in a valley of the central Zagros Mountains at an elevation of about 1,420 metres. The 2016 census recorded a city population of roughly 950,000, making it one of the larger cities of the Iranian west. The population is largely Kurdish, with Kurdish and Persian both in common use. The city sits on the historic road from Baghdad to Tehran, a route that carried trade between Mesopotamia and the Iranian plateau for millennia. Founded in the Sasanian period, it has been continuously inhabited since.

— informed by Wikipedia — Kermanshah
the stone

Two of Iran's most important rock-cut monuments lie at the edge of the city. Taq-e Bostan, on a cliff above a spring, holds Sasanian reliefs from the 4th to 7th centuries showing royal investitures and boar and stag hunts under arched grottoes. About 30 kilometres east, the Bisotun cliff carries the great trilingual inscription Darius I ordered cut around 520 BC in Old Persian, Elamite, and Babylonian. Its decipherment by Henry Rawlinson in the 1830s and 40s opened the cuneiform record of the ancient Near East. UNESCO inscribed Bisotun in 2006.

the visit

Kermanshah is reached by road and air. Shahid Ashrafi Esfahani Airport, about 8 kilometres east of the centre, runs domestic flights to Tehran and Mashhad. The city is roughly 525 kilometres west of Tehran by the Hamadan road. Taq-e Bostan sits on the northern edge of the city and is open daily. Bisotun is a 30-minute drive east along the old highway and the inscription is best read in late-afternoon light. Summers run hot and dry; January temperatures often hold below freezing and the surrounding mountains carry snow into spring.

where
Iran · Kermanshah, Kermanshah Province
elevation
1,420 m · 4,660 ft
position
34.3142° N · 47.0650° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
5 km N
Taq-e Bostan
rock relief
30 km E
Bisotun
inscription
190 km E
Hamadan
city
150 km NW
Hawraman
Kurdish region
N
Kermanshah
Taq-e Bostan
Bisotun
Hamadan
Hawraman
common questions

What people ask.

A few questions we get about Kermanshah — and about bringing the piece home.
about the place

Kermanshah is the capital of Kermanshah Province in western Iran, in a valley of the central Zagros Mountains at about 1,420 metres elevation. It lies on the historic road from Baghdad to Tehran.

Taq-e Bostan is a series of rock reliefs and grottoes cut into a cliff on the northern edge of Kermanshah, dating from the Sasanian period in the 4th to 7th centuries. The reliefs show royal investitures and royal hunts.

Bisotun is a trilingual cuneiform inscription Darius I ordered cut into a cliff around 520 BC, in Old Persian, Elamite, and Babylonian. Its decipherment opened the cuneiform record of the ancient Near East. UNESCO inscribed it in 2006.

Kurdish and Persian are both in common use. The population is largely Kurdish, with Southern Kurdish dialects spoken alongside Persian as the national language. Both can be heard in the bazaar.

Shahid Ashrafi Esfahani Airport, about 8 kilometres east of the city centre, runs domestic flights from Tehran and Mashhad. By road, the city is roughly 525 kilometres west of Tehran via Hamadan.

Spring and autumn carry the most settled weather. Summers run hot and dry; winters bring snow to the surrounding Zagros peaks and January temperatures in the city often hold below freezing.

about the piece in your home

It is a steady way to mark a Kurdish or Iranian-western family connection. The artwork carries the Zagros light and the old cliffs without needing a caption. A Medium or Small with a handwritten studio note travels well.

The piece sits well in warm-traditional, Persian-modern, and jewel-tone rooms. The deep reds and ochres hold their own against walnut, brass, and patterned textiles. Reads at home in a study or a dining room.

Yes. Jewel-tone and warm-traditional rooms have stayed in favour for several years. The Kermanshah palette carries the deep ochres and reds those rooms are built around.

Above a standard sofa, a single Large or a four-tile Mural sits at the right scale. Above a console or in a dining-room niche, the Medium or a Triptych works well.

Yes. Choose the Dura Satin or Matte finish for either room. Both resist scratching and steam, and the colour stays true since it lives in the ceramic surface itself.

A soft microfibre cloth with water is enough for all three finishes. No solvents and no abrasive sponges. The surface holds up to daily handling.

Yes. The painting is original work by Reid Wender, the studio's curator. We do not license artwork in or out, and each vista is made only by Wender Studios in Knoxville, Tennessee.

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