— — a marble arch where the city begins.
“The Azadi Tower stands at the western entry to Tehran, a 45-metre arch of white Isfahan marble on a wide public square. Hossein Amanat designed it at 24, weaving Sassanid arch geometry with Islamic muqarnas at the crown. It was opened in 1971 as Shahyad and renamed Azadi — freedom — after 1979. The square below holds rallies, traffic, and on quiet evenings the long shadow of the arch across the pavement. — from the studio
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
The Azadi Tower stands at the western edge of Tehran on Azadi Square, the traditional road entry to the city from Mehrabad Airport and the Karaj highway. It was designed by the Iranian-Bahá'í architect Hossein Amanat, then 24, after winning a national competition, and completed in 1971 to mark the 2,500th anniversary of the founding of the Persian Empire. The structure rises about 45 metres and is faced in roughly 8,000 cut blocks of white marble quarried near Isfahan.
The design pulls two traditions through one form. The lower arch echoes the broken Sassanid taq of Ctesiphon, while the upper vault is closed by a stalactite muqarnas crown drawn from Iranian Islamic mosque architecture. Computer modelling, unusual in the late 1960s, was used to set the geometry of the curving facing blocks. The interior holds the Azadi Cultural Complex with a museum below ground level. Originally named Shahyad Aryamehr — Remembrance of the Shahs — it was renamed Borj-e Azadi, Freedom Tower, after the 1979 revolution.
Azadi Square is in the west of Tehran, about eight kilometres from the city centre. Tehran Metro line 4 stops at Meydan-e Azadi, opening directly onto the square. The tower museum keeps published hours that shift seasonally; an elevator and stair reach the observation level near the top of the arch. The square has been the gathering point for many of modern Iran's largest public moments, from the 1979 demonstrations to football celebrations and major state ceremonies.