— — the garden that became the Taj.
“A red sandstone mausoleum set inside a four-quartered Persian garden, on the bank of the Yamuna in old Delhi. Commissioned by the empress Bega Begum for the second Mughal emperor, finished around 1572. The rough draft for the Taj, half a century early. Parakeets come through at dusk. The dome holds the last of the light when the rest of the garden has gone dark.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
A garden tomb on the east side of Delhi, set above the old course of the Yamuna in Nizamuddin. Commissioned around 1565 by Empress Bega Begum for the Mughal emperor Humayun and completed in 1572 under the Persian architect Mirak Mirza Ghiyas. It was the first major Mughal building in India and the prototype of the char-bagh garden tomb, a form the Taj Mahal would later refine. Listed by UNESCO in 1993. The wider Nizamuddin precinct holds more than a hundred Mughal-era structures.
Red sandstone from the Vindhya hills, inlaid with white and black marble in long horizontal bands. The double dome, about 42 metres at the apex, was the earliest of its kind in India — a Persian solution that let the inner ceiling sit at human scale while the outer profile read at a distance. The pietra-dura panels, the geometric jaali screens, and the marble finials all rehearse motifs the Taj Mahal would refine seventy years later in Agra.