Wender·Vista
Hathigumpha inscription
shown on ceramic, 12-inch tileIndia
above the Elephant Cave in the Udayagiri hills, outside Bhubaneswar

Hathigumpha inscription

— a king's life, scratched into stone.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Seventeen lines of Brahmi script cut into the overhanging rock above the Elephant Cave, in the Udayagiri hills west of Bhubaneswar. The inscription records the reign of Kharavela, king of Kalinga, year by year. It has stood open to the monsoons since about the second century before the Common Era, and the syllables are still legible.

from the studio
Hathigumpha inscription
— bring it home

Hathigumpha inscription, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Hathigumpha inscription

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The inscription is carved into the brow of a natural cavern in the Udayagiri hills, about six kilometres west of central Bhubaneswar in the Indian state of Odisha. Udayagiri and the adjacent Khandagiri form a twin-hill complex of Jain rock-cut caves dating from the second and first centuries before the Common Era. Hathigumpha, the Elephant Cave, sits at the foot of Udayagiri and takes its name from the elephant figures carved beside it. The Archaeological Survey of India maintains the site as a centrally protected monument.

the stone

The text is engraved in seventeen lines of Brahmi script in Prakrit, in the early Mauryan-Sunga style. The rock is khondalite, a metamorphic stone common to the Eastern Ghats that weathers slowly and holds carved letters for centuries. The opening salutation, Namo arahantanam, marks the inscription as Jain. The lines record the deeds of Kharavela, king of Kalinga, year by year through his reign, including campaigns, temples built, canals reopened, and the recovery of a Jain image taken centuries earlier by a Nanda king.

— informed by Wikipedia
the year

Hathigumpha is conventionally placed in the second or first century before the Common Era, though scholars have proposed dates between roughly 200 and 50 BCE. The fifth year of Kharavela's reign mentions a canal first dug under the Nanda dynasty three centuries earlier, anchoring his rule loosely in time. The thirteenth year records the installation of relic shrines on Kumari Parvata, the older name for the Udayagiri hill. The text remains the principal source for the Mahameghavahana dynasty that ruled Kalinga after the Mauryan collapse.

— informed by Wikipedia
where
India · Bhubaneswar, Odisha
within
Udayagiri Caves
position
20.2632° N · 85.7857° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.1 km N
Udayagiri Caves
rock-cut cave complex
0.5 km W
Khandagiri Caves
rock-cut cave complex
6 km E
Bhubaneswar
city
7 km E
Lingaraj Temple
Hindu temple
7 km E
Mukteshvara Temple
Hindu temple
N
Hathigumpha inscription
Udayagiri Caves
Khandagiri Caves
Bhubaneswar
Lingaraj Temple
Mukteshvara Temple
common questions

What people ask.

A few questions we get about Hathigumpha inscription — and about bringing the piece home.
about the place

A seventeen-line rock inscription in Brahmi script that records the reign of King Kharavela of Kalinga, carved into the overhanging brow of the Elephant Cave at Udayagiri in Odisha, India.

Most scholars place it in the second or first century before the Common Era, during the reign of Kharavela of the Mahameghavahana dynasty, sometime between roughly 200 and 50 BCE.

The inscription is in Prakrit, written in the Brahmi script common to early Indian epigraphy. Its opening line, Namo arahantanam, identifies the king and the text as Jain.

At the foot of Udayagiri, one of the twin Jain rock-cut hill complexes about six kilometres west of central Bhubaneswar in Odisha. The inscription sits above the entrance to Cave 14.

It is the principal historical source for King Kharavela and the Mahameghavahana dynasty of Kalinga. The year-by-year format gives historians a rare narrative chronicle from post-Mauryan eastern India.

about the piece in your home

It carries well for friends and family connected to Bhubaneswar or the Kalinga region. Udayagiri is part of the local school curriculum and a familiar weekend trip. A Small or Coaster Set with a studio note travels well.

The warm stone tones and ink-veined surface work in Indo-modern interiors, study walls with teak and brass, and Eclectic rooms that mix heritage objects with quiet contemporary furniture.

Yes. Stone-rubbing aesthetics and inscription motifs are a current thread in heritage-modern design, especially in studies and reading rooms paired with handloom textiles and aged-brass lighting.

A single Large suits a console or a narrow study wall. Above a sofa, a four-tile Mural reads at the right scale, and a nine-tile Mural can carry a long hallway.

Yes, in Dura Satin or Matte finish. Both resist moisture and steam and stay scratch-resistant on vertical installs. The Glossy finish is meant for dry framed wall art.

Microfibre cloth and water. No abrasives or household cleaners. The colour is slowly infused into the ceramic surface under high heat and pressure, so normal cleaning will not lift it.

Yes. Every WenderVista piece is original to our Knoxville studio. Reid Wender curates and finalises each painting himself, and nothing is licensed in or out.

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