Brahma Temple

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

At the western edge of Pushkar, a pilgrim town in Ajmer district of Rajasthan, India. The temple stands a few steps above Pushkar Lake, about fourteen kilometres north-west of Ajmer city and one hundred and fifty kilometres south-west of Jaipur.

Hindu tradition records several stories in which Brahma was cursed to receive almost no worship, most famously by his consort Saraswati at Pushkar. Whatever the reason, surviving temples dedicated to Brahma as the principal deity number only a handful in all of India.

The present structure is generally dated to the fourteenth century, with major restoration under the Maratha noble Gokulchand Parikh in the eighteenth century. Local tradition attributes the original foundation to the sage Vishwamitra, which would place it much earlier.

A red shikhara spire crowned with a hamsa, the goose that is Brahma's vahana, rises above a marble courtyard. The sanctum holds a four-faced image of Brahma with Gayatri at his left. A silver turtle is set into the courtyard floor.

Around Kartik Purnima, the full moon of the Hindu month of Kartik, which usually falls in November. Tens of thousands of pilgrims bathe in Pushkar Lake and a livestock fair stretches across the dunes for about a week.

Leather is removed at the gate, photography of the inner sanctum is not permitted, and married couples are by tradition not allowed to enter the sanctum together. The temple opens before sunrise and typically closes around nine in the evening.

Yes. Pushkar carries deep meaning across the Hindu world and a particular pull for Rajasthani families. A Small or Medium with a handwritten note from the studio reads well as a gift for someone tied to Ajmer, Pushkar or the camel-fair tradition.

Indian Modern, Jewel-tone Maximalist, and warm Mediterranean interiors. The red shikhara reads beautifully against ochre and cream walls and pairs with brass, jute and dark wood.

Jewel-tone Maximalism continues to favour saturated devotional colour over flat decorative pattern. The stained-glass treatment of a real temple reads as source material rather than borrowed motif.

Above a standard sofa, a single Large carries the wall. For a wider statement, a four-tile Mural reads as one image. Above a console or puja shelf, a Medium framed in dark wood is the studio's most-requested format.

Yes, in the Dura Satin or Matte finish. The colour is slowly infused into the ceramic surface under high heat and pressure, beneath a thin protective layer, so steam and splash are not a concern.

A soft microfibre cloth and water. No solvents, no abrasive pads. The surface is hand-finished in the studio and meant to live with daily handling without changing.

Yes. Every piece in the WenderVista atlas is original work from our studio in Knoxville, Tennessee. No licensed stock, no third-party imagery. Reid Wender chooses what enters the atlas.