Wender·Vista
Aundha Nagnath Temple
shown on ceramic, 12-inch tileIndia
in Hingoli district, in the Marathwada region of Maharashtra

Aundha Nagnath Temple

— the stone shrine that holds the eighth Jyotirlinga.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A Shiva temple in the small town of Aundha in Hingoli district, traditionally counted as the eighth of the twelve Jyotirlinga shrines. The current building is Hemadpanthi work, rebuilt by the Yadavas of Devagiri in the thirteenth century on a much older foundation, with carved courses on every outer face. Pilgrim traffic runs heavy in Shravan. From the studio.

from the studio
Aundha Nagnath Temple
— bring it home

Aundha Nagnath Temple, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Aundha Nagnath Temple

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Aundha Nagnath Temple stands in the town of Aundha in Hingoli district, in the Marathwada region of Maharashtra, India. It is traditionally counted as the eighth of the twelve Jyotirlinga shrines of Shiva, the set of self-manifested lingas that anchor Shaiva pilgrimage across the subcontinent. The temple sits on the plain about 25 kilometres from Hingoli town and roughly 200 kilometres west of Nanded, which is the nearest major rail head. The site has been continuously revered for centuries; the present building is medieval and is set on what tradition holds is a much older sacred foundation associated with the Pandavas.

the stone

The temple is a Hemadpanthi structure, the dry-jointed black-stone architectural style associated with Hemadri, the thirteenth-century minister to the Yadava kings of Devagiri. The current building is attributed to that Yadava reconstruction, in which large dressed blocks were fitted without mortar and the outer walls carved in deep horizontal courses of figural and floral relief. The plinth is unusually tall, and the sanctum sits below the level of the surrounding courtyard, which is reached by a descent of stone steps. The shikhara was damaged in the medieval period and has been rebuilt in later phases.

the visit

The temple is open daily, with morning and evening aartis that draw the largest gatherings of the day. The Shravan month in the Hindu calendar, falling in July or August, is the peak pilgrim season, when Shaiva devotees on the Jyotirlinga circuit pass through Aundha; Mahashivaratri in February or March brings the largest single-day crowd. The nearest railway station is Hingoli, with broader connections at Nanded. The town has basic lodging; many pilgrims arrive on day trips from Nanded or by road from Parbhani. Photography rules inside the sanctum vary and are posted at the entrance.

where
India · Aundha, Hingoli district, Maharashtra
position
19.5333° N · 77.0333° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
25 km SE
Hingoli
district town
90 km SE
Nanded
city
65 km S
Parbhani
city
N
Aundha Nagnath Temple
Hingoli
Nanded
Parbhani
common questions

What people ask.

A few questions we get about Aundha Nagnath Temple — and about bringing the piece home.
about the place

Aundha Nagnath Temple is in the town of Aundha in Hingoli district, in the Marathwada region of Maharashtra, India. It sits about 25 kilometres from Hingoli town and roughly 200 kilometres west of Nanded.

Aundha Nagnath is traditionally counted as the eighth of the twelve Jyotirlinga shrines of Shiva. The identification is the most widely accepted in Maharashtrian tradition, though a few other regional traditions name different sites for the eighth position.

The current building is a thirteenth-century Hemadpanthi structure, attributed to the Yadava kings of Devagiri. Tradition holds that it stands on a much older sacred foundation associated with the Pandavas of the Mahabharata.

Hemadpanthi is a thirteenth-century Maharashtrian style associated with Hemadri, minister to the Yadavas of Devagiri. It uses large dressed black-stone blocks fitted without mortar, with deep horizontal courses of figural and floral relief carved into the outer walls.

The Shravan month, falling in July or August, is the peak pilgrim season for Shaiva devotees on the Jyotirlinga circuit. Mahashivaratri, in February or March, draws the largest single-day crowd of the year.

The nearest railway station is Hingoli, with wider rail connections at Nanded about 90 kilometres away. Most pilgrims arrive by road from Nanded, Parbhani, or Hingoli town, often as part of a longer Jyotirlinga circuit.

about the piece in your home

Yes. The piece reads as a specific Maharashtrian Jyotirlinga rather than a generic temple print, which lands with someone from Hingoli or Nanded, or with a Shaiva pilgrim who has completed the twelve-site circuit.

It sits naturally in a layered Indian interior, a jewel-tone maximalist room, or a quiet study with brass and teak. The palette also works against deep cream or terracotta walls in a prayer room or reading corner.

Yes. Place-specific devotional art has moved toward identified shrines rather than generic iconography. A Medium pairs with other Jyotirlinga tiles, framed pothi pages, or brass lamps without crowding the wall.

Above a standard sofa or long console, a single Large is the right anchor. For a wider wall, a four-tile Mural carries the scale. A Medium fits a narrower console, an altar shelf, or a study nook.

The piece is most often hung in a living room, study, or prayer room, but the Dura Satin and Matte finishes are scratch-resistant and made for damp rooms if a kitchen or bathroom installation is preferred.

A soft microfibre cloth and clean water are enough for routine cleaning. Avoid abrasive pads and ammonia-based sprays. The colour lives in the ceramic surface, so the finish will not lift with normal household cleaning.

Yes. Every WenderVista tile is original artwork by Reid Wender, hand-finished in the family studio in Knoxville, Tennessee. There is no licensing arrangement with the temple trust; the piece is sold as devotional art.

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