— — the marble that learned to speak.
“A Cycladic island in the central Aegean, known for the white marble villages folded into its hillsides and for the great pilgrimage church of Panagia Evangelistria above the harbour. Roughly fifty villages run along the slopes, threaded with dovecotes that the Venetians built and the islanders kept building. Marble carvers still work the stone in Pyrgos at the island's north end.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Tinos sits in the northern Cyclades, immediately south of Andros and north of Mykonos, with the port of Tinos town facing west toward the mainland. The island is about 195 square kilometres, with a permanent population of around 8,000 that swells in summer. Exo Meria, the windward north, is the wilder half; the south-facing villages around Tripotamos and Falatados are gentler. Ferries run daily from Rafina on the Attic coast, roughly two hours on the fast catamaran, four on the slow conventional boat.
Tinian marble is one of the long traditions of Greek sculpture. The quarries above Pyrgos, on the northwest slope, have supplied carvers for at least four centuries; the village still hosts the School of Fine Arts of Panormos, which trains marble sculptors in a structured apprenticeship. Tinian craftsmen carved much of the architectural detail on Athens's nineteenth-century neoclassical buildings, and a working museum in Pyrgos documents the trade. The dovecotes scattered across the island, over a thousand by some counts, are built of the same local stone in geometric Venetian patterns.
The island's calendar centres on August 15, the Feast of the Dormition of the Theotokos. Pilgrims walk uphill from the harbour to Panagia Evangelistria, many on their knees the last stretch, in numbers that fill the town. The icon central to the shrine was discovered in 1823, after a vision reported by the nun Pelagia, and the church was raised over the site within three years. A second major feast on March 25 marks the icon's finding. The rest of the year, the church is quietly open from morning to evening.