Wender·Vista
Kaiser-Wilhelm-Gedächtniskirche
shown on ceramic, 12-inch tileGermany
on Breitscheidplatz at the west end of Berlin's Kurfürstendamm

Kaiser-Wilhelm-Gedächtniskirche

— the broken tower the city kept on purpose.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A ruined neo-Romanesque spire standing on Breitscheidplatz, at the foot of the Kurfürstendamm in West Berlin. Built in 1895 to honour Kaiser Wilhelm I, gutted by Allied bombing on the night of 23 November 1943. After the war West Berlin chose to leave the shattered tower as it was, and in 1961 the architect Egon Eiermann set a new octagonal church beside it, walled in blue glass from Chartres. Berliners call the old tower the Hollow Tooth. from the studio

from the studio
Kaiser-Wilhelm-Gedächtniskirche
— bring it home

Kaiser-Wilhelm-Gedächtniskirche, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Kaiser-Wilhelm-Gedächtniskirche

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Kaiser-Wilhelm-Gedächtniskirche stands on Breitscheidplatz at the western end of the Kurfürstendamm, in the Charlottenburg-Wilmersdorf district of Berlin. The original church, designed by Franz Schwechten in a neo-Romanesque style, was consecrated on 1 September 1895 and rose to 113 metres at its tallest spire. It was struck by Royal Air Force incendiary bombs on the night of 23 November 1943 and largely destroyed. The ruined west spire, now 71 metres tall, was preserved as a memorial; the new ensemble by Egon Eiermann opened in 1961 with a freestanding hexagonal nave, a chapel, and a separate bell tower.

the light

The interior of Eiermann's hexagonal nave is walled with more than 21,000 small stained-glass blocks made by Gabriel Loire in his Chartres workshop. Most are deep cobalt; the rest are red, green, yellow, and white. Seen from outside in daylight the walls read as a dark grey concrete grid. Seen from inside, with the sun behind them, the room turns the colour of a Chagall window, a slow even blue that holds in the corners of the nave long after the rest of the city has gone bright. Three services are held on Sundays; the hall is open to visitors daily.

the visit

The church stands directly above Bahnhof Zoologischer Garten, one of West Berlin's principal interchanges, served by the U2 and U9 underground lines, the S5, S7, and S9 city rail lines, and dozens of bus routes. Entry to both the memorial hall, inside the ruined spire, and the new church is free. Opening hours run from 10:00 to 18:00 daily, with shorter hours on Sunday around services. The memorial hall holds a small museum of photographs from 1943 and the Cross of Nails, a gift from Coventry Cathedral, which was itself destroyed in a German raid in November 1940.

where
Germany · Charlottenburg-Wilmersdorf, Berlin
elevation
39 m · 128 ft
position
52.5050° N · 13.3350° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Zoologischer Garten Berlin
city zoo
at the lake
Kurfürstendamm
boulevard
1 km E
Tiergarten
central park
N
Kaiser-Wilhelm-Gedächtniskirche
Zoologischer Garten Berlin
Kurfürstendamm
Tiergarten
common questions

What people ask.

A few questions we get about Kaiser-Wilhelm-Gedächtniskirche — and about bringing the piece home.
about the place

The original neo-Romanesque church, built in 1895, was gutted by Royal Air Force incendiary bombs on 23 November 1943. The damaged west spire was left as a war memorial rather than rebuilt.

Egon Eiermann, the German modernist, in an ensemble completed in 1961: a hexagonal nave, a chapel, a foyer, and a freestanding bell tower, all in honeycomb concrete grids holding stained glass.

The walls of the new nave hold more than 21,000 small stained-glass blocks made by Gabriel Loire in Chartres. Most are deep cobalt; the rest add red, green, yellow, and white accents.

Hohler Zahn, the Hollow Tooth, is the Berliner nickname for the ruined spire of the old church, which stands at 71 metres after losing most of its 113-metre original height.

Yes. It is a parish of the Evangelical Church in Berlin-Brandenburg, holding three services each Sunday in the new hall while the ruin functions as a war memorial and small museum.

about the piece in your home

Yes. The Gedächtniskirche is one of the defining silhouettes of West Berlin and carries weight for anyone who lived in or near the divided city. A Small or Medium with a handwritten note from the studio travels well.

The cobalt-and-stone palette sits well in mid-century modern, Bauhaus-informed, and warm minimalist rooms built around walnut, blackened steel, and pale wool.

It reads as architectural and timeless rather than trendy. The closest current pattern is mid-century-modern revival, which favours specific named buildings over generic urban scenes.

Above a standard sofa the Large reads well at eye level; for fuller coverage a four-tile Mural fills the wall above a console without crowding lamps or framed photographs.

Yes. Order the Dura Satin or Matte finish for moisture and scratch resistance. The Glossy finish is intended for framed wall display, not splash zones.

A soft microfibre cloth with plain water, dried with a second cloth. No solvents, no abrasives. The colour lives in the surface, not on top of it.

Yes. Every WenderVista piece is curated by Reid Wender and produced in our Knoxville studio. No licensing, no third-party reproductions.

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