Wender·Vista
Sainte-Catherine Church
shown on ceramic, 12-inch tileFrance
in old Honfleur, on the south bank of the Seine

Sainte-Catherine Church

— a church built like a ship turned over.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The largest timber church in France, built by Honfleur's naval carpenters in the second half of the 15th century, when stone was scarce and shipwrights had no work. They worked the way they knew, raising twin naves under oak vaults that hang like upturned hulls. The bell tower stands apart across the square, set away from the church to spare it the weight and the lightning. Eugène Boudin, who was born in this town, painted the bell tower many times. The wood has held since the 1460s.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Sainte-Catherine Church, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Sainte-Catherine Church

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Sainte-Catherine sits on the south bank of the Seine estuary in Honfleur, a fishing port in the Calvados department of Normandy. The town faces Le Havre across the estuary, about 200 km west of Paris. The church and its detached bell tower stand on the Place Sainte-Catherine, three streets up from the Vieux Bassin, the old harbour Boudin and Monet painted. It was built between 1466 and the early sixteenth century by Honfleur's naval carpenters, using oak from the Forêt de Touques. Both the church and the freestanding bell tower (the Clocher Sainte-Catherine) are protected as Monuments Historiques and have been since 1879.

the oak

The church is the largest timber-built religious building in France, and the technique is rare in Europe: shipwrights raised the twin naves on oak posts and vaulted them with timbers laid like the inverted hull of a galleon. Construction began in the 1460s, paid for by townspeople grateful that the English had finally left Honfleur after the Hundred Years' War. Stone was expensive and skilled masons were scarce; what Honfleur had in surplus was naval carpenters and oak from the nearby Forêt de Touques. A second nave was added in the early sixteenth century when the parish outgrew the first.

the visit

Sainte-Catherine is an active parish church and open to visitors daily, generally from morning until evening; admission is free. The bell tower across the square (the Clocher Sainte-Catherine) houses a small museum of religious art managed by the Musées de Honfleur and can be visited for a modest fee. The town is reached by car from the A29, where the Pont de Normandie crosses the Seine from Le Havre; the nearest train stations are Pont-l'Évêque and Trouville-Deauville, with bus connections into Honfleur. The town is busy in summer and on weekends. Quieter visits are possible on weekday mornings outside July and August.

— informed by Honfleur Tourist Office
where
France · Honfleur, Calvados, Normandy
position
49.4180° N · 0.2335° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.3 km S
Vieux Bassin
harbour
1 km W
Côte de Grâce
hilltop chapel
3 km E
Pont de Normandie
cable-stayed bridge
8 km N
Le Havre
port city
15 km SW
Trouville-sur-Mer
beach town
17 km SW
Deauville
resort town
N
Sainte-Catherine Church
Vieux Bassin
Côte de Grâce
Pont de Normandie
Le Havre
Trouville-sur-Mer
Deauville
common questions

What people ask.

A few questions we get about Sainte-Catherine Church — and about bringing the piece home.
about the place

Sainte-Catherine sits at the top of Place Sainte-Catherine in the old town of Honfleur, in the Calvados department of Normandy. Honfleur faces Le Havre across the Seine estuary, about 200 km west of Paris.

After the Hundred Years' War, Honfleur had no money and no masons but a surplus of naval carpenters and oak from the nearby Forêt de Touques. The townspeople asked their shipwrights to raise a church the only way they knew how, and the shipwrights built it like a boat.

The Clocher Sainte-Catherine was built separately so the wooden church would not have to carry the weight of the bell or the risk of lightning. It stands across the Place Sainte-Catherine in its own small enclosure, with a bellringer's lodging at its base.

Construction began in the 1460s, soon after the English left Honfleur at the end of the Hundred Years' War. A second nave was added in the early sixteenth century. The church and bell tower were classified as Monuments Historiques in 1879.

Oak, mostly. The structural timbers came from the Forêt de Touques near Honfleur. The twin naves are vaulted in wood and shaped like the inverted hulls of ships, a technique borrowed directly from local shipbuilding practice.

Eugène Boudin was born in Honfleur in 1824 and painted the bell tower repeatedly. Claude Monet, Gustave Courbet, and Johan Jongkind all painted in Honfleur in the 1860s as part of the Saint-Siméon group that helped pave the way for Impressionism.

about the piece in your home

It's been a meaningful gift for our customers with ties to the Norman coast. Honfleur is one of the most beloved towns in Normandy, and Sainte-Catherine is its quiet centre, older than the harbour the Impressionists painted. A Small or Medium with a handwritten note from the studio carries well.

The piece reads warm and earthy, with the deep oaks and aged-glass blues of the artwork. It suits French country, coastal-modern, and quiet maximalist rooms, and it sits well against limewashed walls or natural linen.

The current return to lived-in European country style (Normandy, Provence, the Cotswolds) has put aged wood, weathered stone, and softened blues back at the centre of interiors. The tile reads as a piece of that vocabulary rather than a souvenir.

A single Large reads well above a love seat or a narrow console. Above a full sofa, a four-tile Mural carries the wall; above a long credenza or a dining sideboard, a nine-tile Mural is the right scale.

Yes, with the Dura Satin or Matte finish. Both are scratch-resistant and stand up to humidity and steam. The Glossy finish is meant for framed wall pieces in dry rooms.

A soft microfibre cloth and water. No abrasive pads, no household chemical sprays. The colour is in the surface, not on it, so it does not flake or fade with normal cleaning.

Yes. Every WenderVista piece is a single-studio original by Reid Wender, hand-finished in Knoxville, Tennessee. There is no licensing in or out of the studio; the work is not sold through any other catalogue.

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