Wender·Vista
Place des Vosges
shown on ceramic, 12-inch tileFrance
in the Marais quarter of Paris

Place des Vosges

— red brick the afternoon settles into.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The oldest planned square in Paris, begun by Henry IV in 1605 and inaugurated in 1612. Thirty-six identical pavilions of red brick and white stone, steep blue slate roofs, an arcade running the whole way around. Victor Hugo lived at number six for sixteen years. Locals still walk the gravel paths between the four fountains as if the square were a private room. The Marais kept it. The Revolution left it standing. Four hundred years on, the lindens have grown tall.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Place des Vosges, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Place des Vosges

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Place des Vosges sits in the Marais, straddling the boundary between Paris's 3rd and 4th arrondissements, a few minutes' walk north of the Bastille and the Seine. Commissioned by Henry IV in 1605 and inaugurated in 1612, it is the oldest planned square in Paris and the model that every later royal square in Europe, from Covent Garden to Madrid's Plaza Mayor, was measured against. The plan is a true 140-metre square: thirty-six identical pavilions of red brick with white limestone quoins, slate roofs, and a continuous ground-floor arcade. A central garden, the Square Louis XIII, holds four fountains and replanted lindens.

— informed by Wikipedia
the stone

The square's signature look comes from a strict palette: red brick walls, white limestone quoins at the corners of each pavilion, and steep blue slate roofs from the Anjou quarries. Thirty-six pavilions, nine on each side, each two storeys above a continuous vaulted arcade. The Pavillon du Roi anchors the south face and the Pavillon de la Reine the north, both rising a half-storey higher than the rest to mark the royal axis. The dormers are uniform, the chimneys are uniform, the height of the arcade keystones is uniform. Henry IV's surveyor enforced a rule that no later king has lifted. Victor Hugo's apartment, on the second floor at number six, is now a free municipal museum.

the visit

The square itself is free and open at all hours; the central garden has fixed gates that close at dusk and open at first light. The arcades shelter cafés, galleries, and several small bookshops, most open six days a week. The Maison de Victor Hugo at number six, the apartment Hugo kept from 1832 to 1848, is free to enter and closed Mondays. The Pavillon de la Reine on the north side has been a small luxury hotel since the 1980s. The nearest Métro stops are Saint-Paul on Line 1, three minutes west, and Bastille on Lines 1, 5, and 8, four minutes south.

— informed by Maison de Victor Hugo
where
France · Paris, Île-de-France
position
48.8556° N · 2.3656° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.1 km S
Hôtel de Sully
historic mansion
0.5 km N
Musée Picasso
art museum
0.5 km SE
Place de la Bastille
historic square
1 km W
Hôtel de Ville
city hall
1 km SW
Île Saint-Louis
Seine island
1.5 km SW
Notre-Dame de Paris
Gothic cathedral
N
Place des Vosges
Hôtel de Sully
Musée Picasso
Place de la Bastille
Hôtel de Ville
Île Saint-Louis
Notre-Dame de Paris
common questions

What people ask.

A few questions we get about Place des Vosges — and about bringing the piece home.
about the place

Place des Vosges sits in the Marais quarter of Paris, straddling the 3rd and 4th arrondissements. It is a few minutes' walk north of the Bastille and east of the Hôtel de Ville. The nearest Métro stops are Saint-Paul on Line 1 and Chemin Vert on Line 8.

Construction began in 1605 under Henry IV and the square was inaugurated in 1612, two years after his assassination. It is the oldest planned square in Paris and pre-dates Madrid's Plaza Mayor by five years.

The square was originally called Place Royale. Napoleon renamed it Place des Vosges in 1800 to honour the Vosges département, the first in France to pay its share of taxes for the new revolutionary government. The name stuck.

Yes. Victor Hugo rented the second floor of number 6 from 1832 to 1848, the years before his exile to Guernsey. The apartment is now the Maison de Victor Hugo, a free municipal museum closed on Mondays.

Cardinal Richelieu kept rooms at number 21 in the 1620s. Madame de Sévigné was born at number 1bis in 1626. Théophile Gautier and Alphonse Daudet both later took apartments on the square in the nineteenth century.

The central garden, the Square Louis XIII, contains a marble equestrian statue of Louis XIII, four fountains at the corners, and rows of clipped lindens. The current statue is an 1820s replacement; the original 1639 bronze was melted down during the Revolution.

Yes. The square and its central garden are free and open to the public; the garden gates close at dusk. The Maison de Victor Hugo is also free. Several cafés and galleries occupy the ground-floor arcades.

about the piece in your home

The square is one of the most quietly loved corners of Paris, closer to a Parisian's Paris than the obvious landmarks. A Medium framed in oak or walnut is a thoughtful gift for someone who has lived there, honeymooned there, or grown up walking the Marais. A Coaster Set carries the same image at desk scale.

The red brick and slate-blue palette settles into rooms with a warm neutral base. French Provincial, Eclectic Old World, and Layered Modern Traditional all hold the piece well. The Voynich stained-glass treatment adds a small jewel-tone register that reads as art, not photograph.

The current European Traditional and Quiet Luxury currents in interiors lean on aged brick, blue-grey roofs, and clipped greenery. The painting holds those textures throughout. A Large above a console or a 4-tile Mural above a bed reads as anchored without being literal.

A Large suits a console or a narrow wall. A 4-tile Mural fits most sofas and beds. For a longer wall, a 9-tile Mural carries the architecture of the square at near room-scale.

Yes. Order the Dura Satin or Matte finish for any wet or high-touch installation: backsplashes, shower walls, vanity surrounds. The colour lives in the ceramic surface; humidity, steam, and daily wiping do not affect it.

A microfibre cloth and water is all the piece needs. Avoid abrasive scrubbers and ammonia-based cleaners. The thin glossy finish on framed pieces wipes clean; the Dura Satin and Matte finishes are rated for daily kitchen and bathroom use.

Yes. Every WenderVista piece is original to our studio in Knoxville, Tennessee, curated by Reid Wender. We do not license images from third parties; the painting of Place des Vosges exists only as this work, on this ceramic.

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