Wender·Vista
Notre-Dame de Chartres
shown on ceramic, 12-inch tileFrance
on the wheat plain of the Beauce, southwest of Paris

Notre-Dame de Chartres

— a blue that has held since the twelfth century.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Two unmatched spires above a small grey-stone city on the wheat plain of the Beauce, an hour by train from Paris. Inside, 167 medieval stained-glass windows turn the nave the deep cobalt that bears the cathedral's name. On the floor of the nave a thirteenth-century labyrinth runs in concentric circles, walked slowly by pilgrims when the chairs are cleared on Fridays in Lent.

from the studio
Notre-Dame de Chartres
— bring it home

Notre-Dame de Chartres, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Notre-Dame de Chartres

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Cathédrale Notre-Dame de Chartres rises above the small city of Chartres, the préfecture of Eure-et-Loir, about 90 km southwest of Paris on the flat wheat plain of the Beauce. The present building, in High Gothic, was raised between 1194 and 1220 on the surviving Romanesque crypt of an earlier church burnt in the 1194 fire. The two spires were never matched: the south, finished about 1160, is Romanesque and reaches 105 metres; the north, the Clocher Neuf, was crowned in flamboyant Gothic by Jean de Beauce around 1513 and rises to 113 metres. The whole was inscribed on the UNESCO World Heritage list in 1979.

— informed by UNESCO, Wikipedia
the light

Chartres holds the largest surviving collection of medieval stained glass in the world: 167 windows, most of them set between 1205 and 1240, covering roughly 2,600 square metres. The cobalt of the twelfth-century windows in the west front, including the famous Notre-Dame de la Belle Verrière, is the colour known as bleu de Chartres, a deep blue whose exact composition has never been fully reproduced. The light moves across the nave through the day: the south aisle carries the morning, the apse the noon hour, the west rose the late afternoon as the sun drops over the Beauce.

the visit

Chartres is reached in about one hour by TER train from Paris-Montparnasse; the cathedral stands a ten-minute walk uphill from the station. Entry to the nave is free. The crypt is shown by guided tour only, and the north tower can be climbed for a small fee in the warmer months. The labyrinth on the floor of the nave, about 12.9 metres across and laid around 1205, is walkable on Fridays in Lent when the chairs are cleared, and on a small number of feast days through the year. The cathedral keeps the Sancta Camisa, a relic held to be the tunic of the Virgin, since the gift of Charles the Bald in 876.

where
France · Chartres, Eure-et-Loir, Centre-Val de Loire
position
48.4476° N · 1.4877° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
1 km E
Vieux Chartres
medieval lower town
1 km SE
Église Saint-Pierre
Gothic abbey church
90 km NE
Paris
capital
1 km E
Eure river
river
N
Notre-Dame de Chartres
Vieux Chartres
Église Saint-Pierre
Paris
Eure river
common questions

What people ask.

A few questions we get about Notre-Dame de Chartres — and about bringing the piece home.
about the place

In the small city of Chartres, the préfecture of Eure-et-Loir, on the wheat plain of the Beauce about 90 km southwest of Paris. The cathedral sits on a low ridge above the river Eure.

The present High Gothic building was raised between 1194 and 1220 on the crypt of an earlier Romanesque church burnt in the 1194 fire. The north spire was finished in flamboyant Gothic around 1513.

They were built more than three centuries apart. The south spire, about 105 metres, is twelfth-century Romanesque; the north Clocher Neuf, about 113 metres, was crowned by Jean de Beauce in flamboyant Gothic around 1513.

The deep cobalt blue of the twelfth-century stained glass in the west front, including the Notre-Dame de la Belle Verrière. The exact medieval recipe has never been fully reproduced by modern glassmakers.

Yes, but only on a limited schedule. The chairs covering the nave are cleared on Fridays in Lent and on a small number of feast days, and pilgrims are invited to walk the 12.9-metre circuit slowly.

By TER train from Paris-Montparnasse, about one hour direct. The cathedral is a ten-minute walk uphill from Chartres station; entry to the nave is free.

A relic held to be the tunic worn by the Virgin Mary at the Nativity, gifted to the cathedral by Charles the Bald in 876. It is displayed in the apse behind glass.

about the piece in your home

Yes. For a French expatriate, a student of Gothic architecture, or a Camino or pilgrimage walker, a Small or Medium carries the cathedral's blue home. A handwritten studio card is included.

It sits well with French Country, traditional, and Jewel-tone interiors. The cobalt blue also lifts a quiet, plaster-walled room of the kind common in restored European apartments.

Yes. The medieval cobalt and ruby palette of Chartres feeds the current return to deeper, saturated wall colours in dining rooms, libraries, and reading nooks.

Above a standard sofa the Large reads at the right scale and carries the verticality of the west front. For a longer console or stairwell, a 4-tile Mural works. A 9-tile Mural is built for double-height walls.

Yes. Order the Dura Satin or Matte finish for any wall that meets steam or splash. The Glossy finish stays in dry rooms behind glass or in a wood stand.

A soft microfibre cloth and warm water. No abrasives, no ammonia sprays. The colour lives in the ceramic surface and will not lift with normal cleaning.

Yes. Every piece in the WenderVista atlas is original to the studio, curated by Reid Wender. The artwork is not licensed from any other source and is not sold through any other shop.

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