Wender·Vista
Normandy American Cemetery
shown on ceramic, 12-inch tileFrance
above Omaha Beach, on the bluff at Colleville-sur-Mer

Normandy American Cemetery

— the white the bluff has held since June.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

A bluff above Omaha Beach, where the Atlantic comes in long and the wind never quite settles. Rows of white marble, nine thousand three hundred eighty-eight of them, set facing west, toward home. The land was granted by France to the United States in perpetuity, free of any charge, and has been kept that way ever since. The chapel sits at the centre of the lawn. The Walls of the Missing hold the names of those whose bodies were never returned. People come, walk slowly, and don't say very much. The sea is right below.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Normandy American Cemetery, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Normandy American Cemetery

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The cemetery sits on the bluff above Omaha Beach, just east of the village of Colleville-sur-Mer in the Calvados department of Normandy. The site covers 172.5 acres on land granted in perpetuity to the United States by the French Republic, and is administered by the American Battle Monuments Commission. It lies about 170 miles west of Paris and 15 miles northwest of Bayeux, reached by the N13 and a short run of country road. From the cliff edge a stair drops to the sand below, where the U.S. 1st and 29th Infantry Divisions landed at dawn on June 6, 1944.

the silence

The crosses and Stars of David stand in lines so regular that the eye reaches the back of the field without finding an edge. There are 9,388 of them in white Lasa marble, and every row is laid out so that the graves face west, toward the United States. The reflecting pool runs the length of the lawn, and the chapel sits at the centre. The bronze figure at the eastern end, The Spirit of American Youth Rising from the Waves by Donald De Lue, stands above the Garden of the Missing, whose walls hold 1,557 names of those whose bodies were never recovered. Even on a full afternoon the field stays quiet.

the visit

The cemetery is open daily from 9 a.m. to 6 p.m. between April 15 and September 15, and from 9 a.m. to 5 p.m. the rest of the year; closed only on December 25 and January 1. Admission is free. The visitor center, opened in 2007 by President George W. Bush and President Jacques Chirac, runs about an hour at a careful pace and orients the field with names, photographs, and the chronology of June 6 through August. Most visitors arrive from Bayeux by car or by a tour out of Paris; a flag-lowering ceremony is held each afternoon at closing. Bring something against the wind. The bluff is bare.

where
France · Colleville-sur-Mer, Calvados, Normandy
position
49.3589° N · 0.8554° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
1 km N
Omaha Beach
D-Day landing beach
13 km W
Pointe du Hoc
D-Day battle site
10 km SW
La Cambe German War Cemetery
war cemetery
14 km E
Arromanches-les-Bains
Mulberry harbour site
25 km SE
Bayeux
medieval town
N
Normandy American Cemetery
Omaha Beach
Pointe du Hoc
La Cambe German War Cemetery
Arromanches-les-Bains
Bayeux
common questions

What people ask.

A few questions we get about Normandy American Cemetery — and about bringing the piece home.
about the place

The cemetery sits on the bluff directly above Omaha Beach, beside the village of Colleville-sur-Mer in the Calvados department of Normandy, about 170 miles west of Paris and 15 miles northwest of Bayeux.

There are 9,388 American military dead buried on the site, most of whom were killed during the D-Day landings of June 6, 1944, and the operations that followed through August. The Walls of the Missing carry an additional 1,557 names.

The land was granted in perpetuity to the United States by the French Republic, free of any charge or taxation, and is administered by the American Battle Monuments Commission, a U.S. federal agency established in 1923.

The headstones are aligned to face west, toward the United States. The orientation is symbolic, marking the direction of the country to which the dead belonged, and is consistent across American war cemeteries on European soil.

A temporary cemetery was established on the bluff on June 8, 1944, two days after the landings. The permanent cemetery was dedicated in 1956, and the current visitor center opened on June 6, 2007.

Admission is free. The cemetery is open daily from 9 a.m. to 6 p.m. between April 15 and September 15, and from 9 a.m. to 5 p.m. the rest of the year, closed only on December 25 and January 1.

The Spirit of American Youth Rising from the Waves, a 22-foot bronze by sculptor Donald De Lue, stands at the head of the reflecting pool above the Garden of the Missing. It was dedicated when the cemetery opened in 1956.

about the piece in your home

It has been a meaningful gift for many of our customers with family on the bluff. The piece is observed quietly, names no individual, and rests on a shelf rather than the wall. A Small in a stand, with a handwritten note from the studio, carries well.

Many of our customers have given the piece for that reason. The palette runs to muted greens, marine blue, and bone white, restrained rather than ceremonial. A Medium or a framed Large works as a study or library piece for the family of a service member.

The colour signature runs to muted greens, marine blue, the white of the marble, and the grey of a coastal sky. It sits naturally in three rooms: a traditional study, a coastal-modern living room, and a quiet Americana entryway. The piece does not compete with strong wall colour.

Above a standard three-seat sofa, a single Large or a 4-tile Mural carries the wall. Above a console table, the Medium reads better at standing distance. For a long living-room wall a 9-tile Mural sets the scale of the room.

Yes. For a backsplash, shower wall, or any installation where moisture and cleaning are routine, choose Dura Satin or Matte. The colour is slowly infused into the ceramic surface under high heat and pressure, so it does not fade, chip off, or wash off.

A soft microfibre cloth, slightly damp with water, removes everything that lands on a tile in a home. The colour is set inside the surface, not on top, so it does not need a sealer and is not affected by ordinary cleaning.

Yes. The painting is original to Wender Studios in Knoxville, Tennessee, drawn from Reid Wender's curation of the Vista atlas. The studio is a single small family operation; no licensing, no third-party stock art, no reseller catalogue.

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