Wender·Vista
Luxor Obelisk
shown on ceramic, 12-inch tileFrance
at the center of Place de la Concorde, between the Tuileries and the Champs-Élysées

Luxor Obelisk

older than the city it stands in.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The Luxor Obelisk stands at the center of Place de la Concorde, between the Tuileries and the Champs-Élysées. Cut from yellow granite at Aswan and raised at the entrance to Luxor Temple under Ramesses II, it stood in Egypt for some three thousand years before Muhammad Ali offered it to France. It was reset in the square on October 25, 1836, while two hundred thousand Parisians watched. The traffic comes around it now in two lanes. The gold pyramidion at the top catches the last light over the Seine.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Luxor Obelisk, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Luxor Obelisk

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Luxor Obelisk sits at the center of Place de la Concorde, the largest public square in Paris and the western anchor of the city's grand historic axis. The square covers 8.64 hectares in the 8th arrondissement, bounded by the Tuileries garden to the east, the Seine to the south, the Hôtel de Crillon to the north, and the Champs-Élysées sweeping west toward the Arc de Triomphe. Designed by Ange-Jacques Gabriel under Louis XV and completed in 1772, the square's present form dates from Jakob Ignaz Hittorff's redesign of 1836–1840, the same campaign that set the obelisk. The square sits inside the UNESCO-inscribed Paris, Banks of the Seine zone, listed in 1991.

the stone

The obelisk is a single shaft of yellow granite from the Aswan quarries on the upper Nile, standing roughly 23 metres (75 feet) and weighing about 222 tonnes. It was cut, dressed, and inscribed under Ramesses II in the thirteenth century BCE, then raised with its twin in front of the first pylon of Luxor Temple, where it stood for some three thousand years. Muhammad Ali Pasha, viceroy of Egypt, offered it to France in 1830; the engineer Apollinaire Lebas designed the purpose-built barge Luxor to carry it down the Nile and across the Mediterranean. The installation in the square on October 25, 1836 took about two hours and drew a crowd estimated at 200,000.

the visit

The square is open and unticketed, day and night. The Concorde Métro station, served by lines 1, 8, and 12, lets out at its northern edge, and the obelisk is the only object at the square's center; the rest is fountains, statues representing eight French cities, and traffic moving in many directions. The granite reads best in late afternoon, when the western light comes down the Champs-Élysées and catches the gilded pyramidion installed in May 1998. From the western balustrade the Arc de Triomphe sits about 1.9 kilometres up the axis; the Louvre's glass pyramid sits roughly 700 metres east through the Tuileries.

where
France · 8th arrondissement, Paris, Île-de-France
position
48.8657° N · 2.3211° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.3 km E
Tuileries Garden
public garden
0.5 km N
Madeleine Church
neoclassical church
0.7 km E
Louvre Museum
art museum
1.3 km S
Hôtel des Invalides
military complex
1.9 km W
Arc de Triomphe
triumphal arch
2.5 km SW
Eiffel Tower
wrought-iron tower
3 km E
Notre-Dame de Paris
Gothic cathedral
N
Luxor Obelisk
Tuileries Garden
Madeleine Church
Louvre Museum
Hôtel des Invalides
Arc de Triomphe
Eiffel Tower
Notre-Dame de Paris
common questions

What people ask.

A few questions we get about Luxor Obelisk — and about bringing the piece home.
about the place

At the center of Place de la Concorde in the 8th arrondissement of Paris, between the Tuileries Garden and the Champs-Élysées. The Concorde Métro station on lines 1, 8, and 12 lets out at the square's northern edge.

It was cut and inscribed in Egypt under Ramesses II in the thirteenth century BCE, making it roughly 3,200 years old. It stood in front of the first pylon of Luxor Temple for about three millennia before being moved to Paris in 1833 and raised in the square in 1836.

Muhammad Ali Pasha, viceroy of Egypt, gave it to France in 1830. The engineer Apollinaire Lebas designed a purpose-built barge, the Luxor, to carry the 222-tonne shaft down the Nile and across the Mediterranean. It was raised in Place de la Concorde on October 25, 1836.

The gilded pyramidion was installed in May 1998 to replace what scholars believed had been a missing original cap. Its form matches the gold-leafed caps used on Egyptian obelisks of the New Kingdom, and it catches the late western light over the Champs-Élysées.

The four faces carry hieroglyphic inscriptions praising Ramesses II and recording his reign. The pedestal beneath, added in Paris in 1836, depicts the engineering of the transport and erection. That base is the only part of the monument made in France rather than Egypt.

It opened in 1772 as Place Louis XV, was renamed Place de la Révolution during the Terror, when Louis XVI and Marie Antoinette were guillotined here, and became Place de la Concorde in 1795, meaning reconciliation. The Restoration briefly restored a royal name; Concorde returned permanently in 1830.

Yes. The square is public, unticketed, and open day and night, with no fences around the obelisk. It sits inside the UNESCO-inscribed Paris, Banks of the Seine zone, listed in 1991.

about the piece in your home

It's been a meaningful gift for many of our customers with ties to the city. The obelisk sits on the historic axis between the Louvre and the Arc de Triomphe, visible from both ends. A Coaster or a Small carries a piece of the whole sightline with a handwritten note from the studio.

The granite-and-gold palette reads well in Classic Parisian, Old-World European, and warm Maximalist interiors. The dark uprights against the lit pyramidion also sit quietly well in a moody library room or a paneled study.

Yes. The granite shaft and gilded cap fit the layered, history-forward turn in interiors. A Medium or Large above a console or fireplace pairs naturally with framed prints, brass candlesticks, and aged bookcloth.

Above a standard sofa, a single Large works well as a centerpiece. Above a long console, a 4-tile Mural reads as a presence; over a longer wall or a stair landing, a 9-tile Mural carries the whole composition.

Yes, in the Dura Satin or Matte finish. The colour is slowly infused into the ceramic surface under high heat and pressure, so it doesn't fade with humidity or steam. Use the Dura Satin for a soft sheen, Matte for none.

A microfibre cloth and plain water are all you need. The surface is sealed by the finish, so no special cleaners, no waxes, no abrasive pads. For a Coaster Set, the same routine after each use.

Yes. Every WenderVista piece is original to our single studio in Knoxville, Tennessee. No licensing, no third-party prints. Reid Wender is the curator and the artist; the work is hand-finished in-house.

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