Wender·Vista
Gilded Gate of Versailles
shown on ceramic, 12-inch tileFrance
at the eastern face of the palace, southwest of Paris

Gilded Gate of Versailles

the gold the morning finds first.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

The Royal Gate at the eastern approach to the Palace of Versailles. Reconstructed in 2008 from period drawings, after the original was pulled down during the Revolution. About eighty metres of black wrought iron crowned in gold leaf, roughly a hundred thousand sheets of it. Buses arrive before the palace opens, and the gate is the first thing you see, set against the long courtyards. The colour holds in winter light, holds harder in summer.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Gilded Gate of Versailles, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Gilded Gate of Versailles

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Gilded Gate stands at the eastern entrance to the Château de Versailles, in the Yvelines department of the Île-de-France region, about twenty kilometres southwest of central Paris. The gate divides the Cour d'Honneur from the Cour Royale, the inner courtyard once reserved for the king's carriage. The palace itself grew out of Louis XIV's expansion of his father's hunting lodge, was declared the seat of court in 1682, and was inscribed on the UNESCO World Heritage list in 1979. Trains from Paris reach Versailles-Château-Rive-Gauche in roughly forty minutes; the gate is a five-minute walk from the station.

the gold

The gate runs about eighty metres across the eastern face of the palace, set between two pavilions and topped by a crowned cartouche bearing the royal coat of arms with its fleurs-de-lis. The original ironwork was installed in the late 17th century and torn down during the French Revolution, when palace metalwork was melted down for cannon. The reconstruction, completed in 2008, was modelled from surviving engravings and period drawings, used roughly a hundred thousand sheets of gold leaf laid over black wrought iron, and was funded largely by private sponsorship coordinated alongside the Établissement public du château.

the visit

The palace opens Tuesday through Sunday and closes on Mondays, on 1 January, 1 May, and 25 December. The grounds open earlier than the state apartments, and the Gilded Gate is visible from the Place d'Armes without buying a ticket. The most-photographed angle is from the eastern end of the place, looking west along the cobbles toward the Marble Court. Crowds thin in the first hour after opening and again after four in the afternoon. The RER C train from central Paris reaches Versailles-Château-Rive-Gauche in about forty minutes; the gate stands at the end of the avenue, five minutes on foot.

where
France · Versailles, Yvelines
position
48.8049° N · 2.1204° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
0.1 km W
Hall of Mirrors
palace gallery
0.8 km W
Apollo Fountain
garden fountain
1.5 km NW
Grand Trianon
royal residence
2 km NW
Petit Trianon
neoclassical château
2.5 km NW
Hameau de la Reine
rustic hamlet
N
Gilded Gate of Versailles
Hall of Mirrors
Apollo Fountain
Grand Trianon
Petit Trianon
Hameau de la Reine
common questions

What people ask.

A few questions we get about Gilded Gate of Versailles — and about bringing the piece home.
about the place

It stands at the eastern entrance to the Palace of Versailles, in the Yvelines department of Île-de-France, about twenty kilometres southwest of central Paris. The gate divides the Place d'Armes from the inner Cour Royale.

The current gate was completed in 2008. It replaces the original, installed in the late 17th century during Louis XIV's expansion of Versailles and torn down in 1789, during the French Revolution, with much of the palace's metalwork melted for cannon.

Roughly one hundred thousand sheets of gold leaf were laid over black wrought iron to reproduce the original royal appearance. Gilding signalled the king's residence and marked the entrance to the Cour Royale, the courtyard once reserved for the carriages of the royal family.

The reconstruction was funded largely through private donations and corporate sponsorship, coordinated alongside the Établissement public du château de Versailles. The project cost was widely reported at approximately five million euros.

Yes. The gate stands at the edge of the Place d'Armes and is visible to the public from the cobbled square outside the palace. A ticket is only required to enter the state apartments and the formal gardens during peak season.

The RER C train runs from central Paris to Versailles-Château-Rive-Gauche in about forty minutes. The gate is a five-minute walk from the station along Avenue de Sceaux, arriving directly at the Place d'Armes.

A crowned cartouche bearing the royal coat of arms of France, with fleurs-de-lis. The 2008 reconstruction reproduced the original Bourbon iconography from surviving 17th-century engravings.

about the piece in your home

It's a settled choice for someone with ties to Paris or for a returning traveller. The gate is the first sight of the palace on any visit, and a Coaster or Small with a handwritten note from the studio reads as recognition rather than souvenir.

The black-and-gold palette sits well in Parisian-classic interiors, Maximalist rooms with deep jewel tones, and warm Old-World rooms with walnut and brass. It carries weight in a small space, which makes it work above a console or a sideboard.

The gilded black-iron silhouette lines up with the jewel-tone Maximalism that returned through 2024 and 2025. It also reads cleanly in dark-academia rooms and in transitional spaces that pair brass hardware with antique woods.

Above a sofa, a single Large carries the wall, or a four-tile Mural for a wider span. Above a narrow console, a Medium or a three-tile horizontal arrangement reads to scale. A nine-tile Mural suits a foyer wall or a tall stairwell.

Yes, in the Dura Satin or Matte finish, both scratch-resistant and able to hold up to steam and splash. The colour lives in the ceramic surface and does not fade in daily light. Glossy is reserved for framed wall pieces.

A soft microfibre cloth with water is enough for routine cleaning. For a stubborn mark, a drop of mild dish soap in warm water lifts it without disturbing the surface. No abrasives, no bleach, no scouring pads.

Yes. Every WenderVista piece is original work from a single studio in Knoxville, Tennessee. No licensing, no stock imagery. Reid Wender is the curator, and each place is selected, drawn, and finished in-house.

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