Wender·Vista
Cote des Blancs
shown on ceramic, 12-inch tileFrance
the long chalk slope south of Épernay

Cote des Blancs

— the morning light the chalk holds onto.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

A 20 km chardonnay slope south of Épernay, east-facing, on Belemnite chalk that goes white in the cuts the roads make. The grand cru villages line up along the bottom: Cramant, Avize, Oger, Le Mesnil-sur-Oger. Small, walkable, each with its growers and its houses. The harvest crews come in late August. The wine that comes off this hillside is the Blanc de Blancs the rest of the world copies. Pure chardonnay, brioche and citrus, the chalk reading through. The slope is quietest in February, when the vines are pruned and nothing has started.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Cote des Blancs, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Cote des Blancs

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Côte des Blancs is a roughly 20-kilometre east-facing escarpment in the Marne department of northeastern France, beginning just south of Épernay and running down through Chouilly, Cramant, Avize, Oger, Le Mesnil-sur-Oger and Vertus. The slope sits within the Champagne wine region, recognised by UNESCO in 2015 as part of the "Champagne Hillsides, Houses and Cellars" inscription. Most of its roughly 3,200 hectares are planted with Chardonnay, the grape that gives the wines labelled Blanc de Blancs their name. Paris-Est is about an hour and fifteen minutes from Épernay by direct TGV; the slope is then a short drive or a long walk south along the D9 and the marked Route Touristique du Champagne.

the stone

Beneath the topsoil of the Côte des Blancs is a deep bed of Belemnite chalk, a soft Cretaceous-period limestone composed of the fossilised remains of small marine cephalopods that lived in this shallow sea about 70 million years ago. The chalk is porous. It stores winter rain like a sponge and releases it through the dry summer, and it reflects light back up into the vine canopy. This is why Chardonnay does what it does here. The wines carry a chalk-driven minerality that growers describe as a "vertical" character, distinct from the rounder Pinot-noir-led wines of the nearby Montagne de Reims. The same chalk is hollowed beneath Épernay and Reims into the crayères where the bottles age.

the season

The harvest in the Côte des Blancs typically begins in the last week of August or the first two weeks of September, depending on the year. Picking is still done by hand across all of Champagne by law, and the Comité Champagne sets the official start date village by village. The vines are pruned in the cold months from December through February, when the slope is at its quietest. Spring brings bud-break in early April and the risk of frost; the white smoke plumes of paraffin candles burning in the rows are still a common sight on the coldest nights. The marked Route Touristique du Champagne is open to walkers and cyclists in every season, though many small grower houses receive visitors by appointment only.

— informed by Comité Champagne
where
France · Marne, Grand Est
position
48.9600° N · 4.0000° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
3 km N
Cramant
Grand Cru village
5 km S
Le Mesnil-sur-Oger
Grand Cru village
8 km N
Épernay
Champagne town
10 km S
Vertus
Premier Cru village
12 km N
Hautvillers
abbey village (Dom Pérignon)
N
Cote des Blancs
Cramant
Le Mesnil-sur-Oger
Épernay
Vertus
Hautvillers
common questions

What people ask.

A few questions we get about Cote des Blancs — and about bringing the piece home.
about the place

The Côte des Blancs is a 20-kilometre east-facing slope in the Marne department of northeastern France, beginning just south of Épernay and running south through Cramant, Avize, Oger, Le Mesnil-sur-Oger and Vertus. Direct TGV from Paris-Est to Épernay takes about an hour and fifteen minutes.

The name means "Slope of the Whites" and refers to Chardonnay, the white grape that makes up roughly 95 percent of the plantings here. The pure-Chardonnay Champagnes from these vineyards carry the label Blanc de Blancs, meaning "white of whites."

The slope sits on a deep bed of Belemnite chalk, a soft Cretaceous limestone formed about 70 million years ago from the shells of small marine cephalopods. The chalk stores winter rain, releases it slowly through summer, and gives the wines a mineral, citrus-driven character.

Six villages on or near the slope hold the Grand Cru rating on the historic échelle des crus: Avize, Chouilly (for Chardonnay), Cramant, Le Mesnil-sur-Oger, Oger and Oiry. Vertus, at the southern end, is rated Premier Cru.

The harvest usually begins in the last week of August or the first two weeks of September, depending on the year. Picking is done by hand across all of Champagne by law, and the Comité Champagne sets the official start date village by village.

Yes. The slope is part of the "Champagne Hillsides, Houses and Cellars" inscription, recognised by UNESCO in 2015. The listing covers the historic vineyard slopes south of Reims and Épernay along with the production sites and the crayères beneath them.

about the piece in your home

It has been a meaningful gift for collectors, sommeliers, and travellers with a particular connection to this slope. The Côte des Blancs is the source of every Blanc de Blancs, and the names on the slope are the names a Champagne person already knows: Cramant, Avize, Le Mesnil-sur-Oger. A Small with a handwritten note from the studio carries well.

The piece sits comfortably in French country, Provençal, jewel-tone maximalist, and old-world wine-cellar rooms. The artwork carries strong greens, golds, and chalk-whites that read against limewashed walls, dark oak, or worn brass. A Medium above a sideboard or a wine console anchors a dining room or a tasting nook.

Yes. Custom home wine rooms have moved away from gloss black and stainless toward warmer, textured palettes: exposed brick, antique brass, painted wood. A Triptych or a 4-tile Mural of the Côte des Blancs sits well in that direction, especially in a room where the bottles themselves come from this slope.

Above a standard sofa or a long console, a single Large reads at the right scale from across the room. For a longer wall or a statement piece, a 4-tile Mural carries further; a 9-tile Mural is what most customers choose when they want the slope to fill the wall.

Yes. Choose the Dura Satin or Matte finish for either room; both are soft-sheen, scratch-resistant, and well suited to vertical installations like a backsplash or a shower wall. The Glossy finish is the right one for framed wall art and dry locations.

A microfibre cloth and warm water are all the surface needs. The colour is slowly infused into the ceramic under heat and pressure and lives in the surface itself, so it does not lift, fade in sunlight, or scrub off with normal household cleaning.

Yes. Every WenderVista piece is original to the studio, painted in our distinctive stained-glass and alcohol-ink visual language by Reid Wender. The work is hand-finished in Knoxville, Tennessee. Nothing is licensed and nothing is reprinted from outside artists.

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