Wender·Vista
Carnac Stone Alignments
shown on ceramic, 12-inch tileFrance
above the bay of Quiberon, on the south coast of Brittany

Carnac Stone Alignments

rows the heath has been holding since before writing.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
Above the bench, in a warm oak surround.
Above the bench, in a warm oak surround.
Beside the kettle, propped on the counter.
Beside the kettle, propped on the counter.
Above the linens, in a slim black surround.
Above the linens, in a slim black surround.
On the nightstand, on a light oak stand.
On the nightstand, on a light oak stand.
On a picture ledge, where the light comes in.
On a picture ledge, where the light comes in.
a note from the studio

Three thousand granite stones, set in long rows across the heath above Quiberon Bay. They were raised by pre-Celtic people who left no writing, in rows older than Stonehenge. The tallest stand at the western ends, head-high or taller; they step down through the kilometres until they are no taller than a child. In summer the alignments can only be walked with a guide. In the cold months the field is open and the wind off the Atlantic does most of the talking.

from the studio
shown in a slim black floating frame · 6 × 6 in
shown in a slim black floating frame · 6 × 6 in
— bring it home

Carnac Stone Alignments, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

comes gift-ready
comes gift-ready

Each tile ships in a kraft box, tied with cream ribbon, with a handwritten note from the studio if you'd like to add one.

or build a grouping
or build a grouping

Three or five different vistas, hung together — a chapter of places you've been, or want to go.

about Carnac Stone Alignments

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Carnac alignments stand on a heath above Quiberon Bay in the Morbihan department, on the south coast of Brittany. The site holds more than 3,000 standing stones in long parallel rows that run roughly four kilometres northeast of Carnac village. The three principal groups are Le Ménec, Kermario, and Kerlescan; Le Ménec alone carries 1,169 stones in twelve rows. The stones were quarried from local granite outcrops and raised by Neolithic communities between about 4500 and 3300 BCE, predating the standing stones at Stonehenge by roughly a thousand years. The site is administered by the Centre des Monuments Nationaux and sits on France's tentative list for UNESCO World Heritage inscription.

the stone

The menhirs are local Breton granite, hauled and set into the heath by a settled Neolithic coastal population working with stone tools and human labour alone. At the western ends of the alignments the largest stones rise to about four metres; they step gradually down to roughly sixty centimetres at the eastern ends, a deliberate gradient repeated across all three principal alignments. Erosion, lichen, and centuries of grazing have left the granite mottled grey and yellow. Some of the stones lean; some have fallen and been re-erected during nineteenth- and twentieth-century campaigns. The largest single megalith in the wider Carnac area, the Grand Menhir Brisé at nearby Locmariaquer, once stood roughly twenty metres tall before it broke.

the visit

The alignments are managed by the Centre des Monuments Nationaux from the Maison des Mégalithes information centre at Le Ménec, which is open every day except 1 January, 1 May, and 25 December. From April through September the rows can only be entered on a paid guided tour to protect the heath from foot traffic; from October through March the public can walk among the stones on free, unguided access. The Maison des Mégalithes itself is free to enter and screens an orientation film. Carnac village is reached by car from Vannes in about forty minutes, or by SNCF rail to Auray with a short bus or taxi link to the site.

where
France · Carnac, Morbihan, Brittany
position
47.5944° N · 3.0750° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
3 km E
La Trinité-sur-Mer
harbour village
12 km E
Locmariaquer
Neolithic dolmens and the Grand Menhir Brisé
14 km N
Auray
Breton market town and rail stop
15 km S
Quiberon
peninsula and Atlantic coast town
30 km E
Vannes
walled town on the Gulf of Morbihan
N
Carnac Stone Alignments
La Trinité-sur-Mer
Locmariaquer
Auray
Quiberon
Vannes
common questions

What people ask.

A few questions we get about Carnac Stone Alignments — and about bringing the piece home.
about the place

The alignments date to the Neolithic, with stones raised between roughly 4500 and 3300 BCE. That predates the standing stones at Stonehenge by about a thousand years and makes Carnac one of the oldest megalithic complexes in Europe.

More than 3,000 menhirs survive across the four-kilometre site. The three principal alignments are Le Ménec with 1,169 stones in twelve rows, Kermario with 1,029 stones, and Kerlescan with 555 stones.

Neolithic farming communities on the Breton coast, long before the arrival of Celtic peoples. They left no writing, so the population is known only through their tools, burials, and the stones themselves.

The purpose is unsettled. Astronomical, ritual, funerary, and territorial readings have all been argued. The site sits within a wider Neolithic landscape that includes the dolmens of Locmariaquer and the Saint-Michel burial mound.

From October through March, yes. The alignments are open to the public on foot. From April through September the heath is protected, and entry is only on paid guided tours leaving from the Maison des Mégalithes at Le Ménec.

On the south coast of Brittany in the Morbihan department, above the bay of Quiberon. The nearest larger town is Auray; the regional capital, Vannes, is about thirty kilometres east.

Carnac sits on France's tentative list as part of the Megaliths of Carnac and the Shores of Morbihan dossier. The site is administered by the Centre des Monuments Nationaux pending possible inscription.

about the piece in your home

It has been a meaningful gift for customers connected to Morbihan and the Breton coast. The alignments are a point of regional pride and a landscape many Bretons have walked since childhood. A Small or Medium with a handwritten note from the studio carries well.

The piece reads well in three rooms in particular: stone-and-linen rustic European, low-saturation Scandinavian, and quiet library-style studies with oak and brass. The muted greys and ochres of the granite ground the artwork and let it sit beside older furniture.

Yes. The piece belongs to the same family as worn linen, stoneware, and unpainted oak, the slow-Europe register that has held steady through several seasons of interior trends. It does not date.

A single Large is the cleanest answer for most consoles and reading nooks. Above a full sofa, a four-tile Mural reads with more presence; a nine-tile Mural is the right call for a long entry wall or a stair landing.

Yes, with the Dura Satin or Matte finish. Both resist water, scratching, and heat, and they keep the colour deep in the surface. Choose Glossy only for a dry wall in a living or sleeping room.

A soft microfibre cloth and water. No abrasives, no ammonia, no glass cleaner. The colour is slowly infused into the ceramic surface under high heat and pressure, so the surface is stable, and a gentle wipe keeps the finish at its best.

Yes. Reid Wender, the curator, paints in a stained-glass and alcohol-ink visual language that we do not license to any third party. Every Carnac piece is hand-finished in our Knoxville studio.

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