Wender·Vista
Nan Madol
shown on ceramic, 12-inch tileFederated States of Micronesia
off the southeast coast of Pohnpei, in the western Pacific

Nan Madol

— a city of basalt built on the reef.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A ruined ceremonial city of around 92 artificial islets laid across a tidal lagoon, in Madolenihmw district on the southeast coast of Pohnpei. The walls are stacked basalt columns, some weighing fifty tons, hauled from the other side of the island and fitted without mortar. The Saudeleur dynasty built it between roughly 1180 and 1500 CE. Mangroves have moved in. Tide carries through the channels twice a day, the way it has for eight hundred years. UNESCO inscribed the site in 2016 and listed it as endangered the same day. — from the studio

from the studio
Nan Madol
— bring it home

Nan Madol, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Nan Madol

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Nan Madol sits in a shallow lagoon off the southeastern coast of Pohnpei, in Madolenihmw district, Federated States of Micronesia. The site comprises about 92 artificial islets spread across roughly 75 hectares, separated by tidal channels and enclosed by an outer seawall. It was the ceremonial and political centre of the Saudeleur dynasty, built between roughly 1180 and 1500 CE, with construction continuing under the later Nahnmwarki chiefs. UNESCO inscribed the site as a World Heritage Site in 2016, and on the same day added it to the List of World Heritage in Danger because of advancing mangroves, siltation, and structural collapse.

— informed by UNESCO, Wikipedia
the stone

The construction material is columnar basalt — naturally six-sided prisms split by ancient lava cooling at the volcanic plug at Sokehs and other quarries on the opposite side of Pohnpei. Builders stacked the columns log-cabin style, alternating headers and stretchers, without mortar. Individual stones run up to about 50 tons; the largest single piece on the royal mortuary islet of Nandauwas is estimated near 55 tons. How the Saudeleur moved them roughly 25 km by sea around the island is not settled. The walls at Nandauwas reach about 7.6 metres at their highest surviving course.

the water

The channels between the islets are tidal, fed by the lagoon, and run shallow enough at low water that small canoes still scrape bottom. Sea level around Pohnpei has risen measurably over the past century, and the site sits less than a metre above mean high water; mangroves have taken hold inside several of the islets and their roots are levering basalt courses apart. Pohnpei receives some of the heaviest rainfall in the world, roughly 4,800 mm a year in the interior. Access is by small boat from Madolenihmw at high tide; visitor numbers are low, in part because of customary land-tenure rules that require local permission.

— informed by UNESCO
where
Federated States of Micronesia · Madolenihmw, Pohnpei, Federated States of Micronesia
within
Nan Madol
elevation
0 m · 0 ft
position
6.8425° N · 158.3325° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
3 km W
Madolenihmw village
mainland district seat
40 km NW
Sokehs Rock
basalt monolith
35 km N
Kolonia
capital town of Pohnpei
N
Nan Madol
Madolenihmw village
Sokehs Rock
Kolonia
common questions

What people ask.

A few questions we get about Nan Madol — and about bringing the piece home.
about the place

Nan Madol lies in a shallow lagoon off the southeastern coast of Pohnpei, in Madolenihmw district, Federated States of Micronesia. Access is by small boat from the mainland at high tide.

Nan Madol was built by the Saudeleur dynasty, the first centralized political authority on Pohnpei, between roughly 1180 and 1500 CE. Construction continued in modified form under the later Nahnmwarki chiefs after the Saudeleur fell.

The walls are stacked columnar basalt, naturally six-sided prisms from volcanic quarries on the opposite side of Pohnpei. Individual stones run up to about 50 tons, fitted without mortar in alternating courses.

Nan Madol comprises about 92 artificial islets spread across roughly 75 hectares of tidal lagoon. Each islet was built up on the reef from coral rubble and basalt and served a specific ceremonial or residential function.

UNESCO inscribed Nan Madol as a World Heritage Site in 2016 and added it to the List of World Heritage in Danger the same day. Mangrove growth, siltation, and structural collapse are the primary threats.

Nan Madol translates from Pohnpeian roughly as 'in the space between' or 'spaces between,' a reference to the tidal channels that divide the artificial islets across the lagoon.

about the piece in your home

It has been a meaningful gift for customers connected to the region. Few outsiders know Nan Madol by name, and a piece that does carries weight for people from the island. A Small or Medium with a handwritten note from the studio carries well.

The deep basalt blacks and lagoon greens read well with Wabi-sabi, Tropical-modern, and quiet Maximalist rooms. The horizontal composition suits a console or a long hallway.

Yes. Rooms built around stone, raw wood, and muted greens welcome a piece with this much weathered texture in the palette. A Medium reads cleanly above a low credenza in oak or teak.

Above a standard sofa, a single Large or a 4-tile Mural holds the wall. Above a console, a Medium centred works well. A 9-tile Mural suits a tall feature wall.

Yes, in Dura Satin or Matte finish. Both are scratch-resistant and handle steam and splash without trouble. Glossy stays in framed wall settings away from direct water contact.

A soft microfibre cloth with plain water is enough for routine cleaning. The colour lives in the ceramic surface, so it will not lift, fade, or scratch off under normal household care.

Yes. Every WenderVista piece comes from Reid Wender's hand in our Knoxville studio. We do not license from third parties, and each place enters the atlas once.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.