Wender·Vista
Al-Rifa'i Mosque
shown on ceramic, 12-inch tileEgypt
at the foot of the Cairo Citadel, opposite Sultan Hassan

Al-Rifa'i Mosque

— the room where the last shahs went quiet.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

A mausoleum mosque at the foot of the Cairo Citadel, raised by the mother of Khedive Ismail and finished forty-three years later under King Fuad. The kings of modern Egypt lie inside, along with the last Shah of Iran. The marble work is cool even in August, and the call to prayer from Sultan Hassan across the square answers it nearly note for note. — from the studio

from the studio
Al-Rifa'i Mosque
— bring it home

Al-Rifa'i Mosque, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Al-Rifa'i Mosque

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The mosque stands on Al-Qal'a Square in Cairo, directly opposite the fourteenth-century Mosque-Madrasa of Sultan Hassan. Construction began in 1869 under Khoshyar Hanim, mother of Khedive Ismail, and ran for forty-three years across two long pauses. The original architect, Hussein Pasha Fahmy, was succeeded by the Hungarian architect Max Herz, who completed the building in 1912 under King Fuad I. The plan deliberately echoes the proportions of Sultan Hassan across the square, in a deliberate dialogue between Mamluk-revival and the older Bahri Mamluk masterpiece it faces.

the stone

The interior uses nineteen kinds of marble drawn from quarries across the Mediterranean and Egypt, including Carrara, Turkish, and Egyptian alabaster. Columns of polished stone line the prayer hall, and the dado is panelled in inlay that takes the colour up the walls. The mihrab and minbar are carved and inlaid in the Mamluk-revival idiom Max Herz favoured during his years at Egypt's Comité de Conservation des Monuments de l'Art Arabe. The marble keeps the room cool even when the square outside is in summer heat.

the visit

The mosque is open to non-Muslim visitors for a small ticket, typically paired on the same ticket with Sultan Hassan across the square. Shoes come off at the door, women are given a wrap if needed, and quiet is expected. The royal tombs occupy chambers off the main hall: Khedive Ismail, Sultan Hussein Kamel, King Fuad I, King Farouk, and Mohammad Reza Pahlavi, the last Shah of Iran, who was buried here in 1980 after his death in Cairo. Photography inside is usually permitted without flash.

where
Egypt · Cairo, Cairo Governorate
position
30.0322° N · 31.2569° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Mosque-Madrasa of Sultan Hassan
Mamluk mosque-madrasa
1 km E
Cairo Citadel
medieval fortress
1 km E
Mosque of Muhammad Ali
Ottoman mosque
2 km W
Ibn Tulun Mosque
ninth-century mosque
N
Al-Rifa'i Mosque
Mosque-Madrasa of Sultan Hassan
Cairo Citadel
Mosque of Muhammad Ali
Ibn Tulun Mosque
common questions

What people ask.

A few questions we get about Al-Rifa'i Mosque — and about bringing the piece home.
about the place

The mosque holds the tombs of Khedive Ismail, Sultan Hussein Kamel, King Fuad I, King Farouk, and Mohammad Reza Pahlavi, the last Shah of Iran, who was interred here in 1980 after dying in Cairo exile.

Construction began in 1869 under Khoshyar Hanim and was completed in 1912 under King Fuad I, a span of forty-three years and two architects, Hussein Pasha Fahmy and the Hungarian Max Herz.

The mosque is named for the medieval Sufi sheikh Ahmad al-Rifa'i, whose earlier shrine on the site was absorbed into the new building. His tomb remains inside, near the entrance to the royal chambers.

The Mosque-Madrasa of Sultan Hassan, completed in 1363 and considered a high point of Mamluk architecture. Al-Rifa'i was designed to echo its scale, so the two buildings answer each other across Al-Qal'a Square.

Yes. Modest dress is required, shoes come off at the door, and a small entrance ticket usually covers both Al-Rifa'i and Sultan Hassan. Friday midday prayer hours are the exception.

Hussein Pasha Fahmy began the work in 1869. After a long pause, the Hungarian architect Max Herz Pasha, head of Egypt's Comité de Conservation, completed it in the Mamluk-revival style between 1905 and 1912.

about the piece in your home

Yes. Al-Rifa'i sits at the heart of Islamic Cairo and is a place many Cairenes have visited with family. A Small or Medium tile carries the room without overwhelming a desk or shelf, and the studio writes a note by hand.

The deep jewel tones of the stained-glass treatment settle well into Maximalist, Mediterranean-modern, and dark-academia rooms. It also reads beautifully against limewashed walls or terracotta floors in a more restrained Mediterranean interior.

Yes. The piece carries the cobalt, ruby, and gold register that anchors current jewel-tone Maximalist interiors. It pairs especially well with velvet, brass, and patterned rugs in the Persian or North African families.

A single Large tile reads well above a console or smaller sofa. For a full sofa wall, a four-tile Mural carries the scale, and a nine-tile Mural commands a long sofa or a stair-landing wall.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and tolerate steam and splashes, which makes them suitable for a powder room, a kitchen splashback, or a shower-adjacent feature wall.

A soft microfibre cloth and clean water. No abrasive sponges, no ammonia or bleach-based sprays. The colour lives in the ceramic surface beneath a thin glossy finish, so ordinary household dust wipes off cleanly.

Yes. Every WenderVista piece is created in-house by Reid Wender, the curator and eye of the studio, and hand-finished by our small Knoxville team. We do not license outside artwork or resell stock images.

if this one stayed with you

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