— — a small bronze, looking out at the water.
“The statue sits on a granite rock just off the Langelinie promenade, where the Copenhagen harbour opens toward the Øresund. Edvard Eriksen cast her in bronze in 1913, after a commission from the brewer Carl Jacobsen, who had been moved by a Royal Danish Ballet adaptation of the Hans Christian Andersen tale. She is small — about 1.25 metres — and easy to miss from the path until you are nearly past her.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
The Little Mermaid sits on the waterline at Langelinie, the broad promenade running north from Copenhagen's Kastellet citadel along the harbour mouth. The statue was a gift to the city from Carl Jacobsen, the founder of the Carlsberg brewery, who had been struck by a 1909 Royal Danish Ballet adaptation of Hans Christian Andersen's 1837 fairy tale. Sculptor Edvard Eriksen cast it in bronze and unveiled it on 23 August 1913. The model for the face was the ballerina Ellen Price; Eriksen's wife Eline modelled the body.
The figure is cast in bronze, about 1.25 metres tall, and seated on a low granite boulder set among loose stones at the waterline. The piece has been damaged repeatedly across its history: the head was sawn off and stolen in 1964 and again in 1998, an arm was cut off in 1984, and the statue has been knocked from its rock and covered in paint on several occasions. The original head is held in storage by the Eriksen family; the figure on the harbour wears recast replacements.
The statue is free to view at any hour and easy to reach on foot from central Copenhagen. The walk from Nyhavn takes about twenty-five minutes along the harbour, passing the Royal Danish Playhouse and the Amalienborg complex. From Kastellet, the citadel just inland, the figure is a five-minute stroll along the seawall. Crowds are thickest in the middle of summer days when cruise ships dock at the Langelinie quay; early morning and the hour before sunset are quieter, and the harbour light is better.