Wender·Vista
Dujiangyan
shown on ceramic, 12-inch tilePeople's Republic of China
on the Min River, an hour northwest of Chengdu

Dujiangyan

— the river an engineer divided two thousand years ago.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Dujiangyan is the irrigation works on the Min River where it leaves the mountains for the Chengdu Plain. The Qin governor Li Bing laid out the system around 256 BC, with no dam and no gates: a bamboo-lattice headland that splits the river by water level alone. The works still irrigate roughly 5,300 square kilometres of farmland. Mount Qingcheng rises just upstream.

from the studio
Dujiangyan
— bring it home

Dujiangyan, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Dujiangyan

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Dujiangyan sits on the Min River about fifty kilometres northwest of Chengdu, where the river drops out of the Min Mountains onto the Chengdu Plain. Construction began around 256 BC under Li Bing, the Qin governor of the region, and was carried on by his son Erlang. The headworks have three parts: the Yuzui or fish-mouth levee, the Feishayan overflow weir, and the Baopingkou bottle-neck channel cut through Mount Yulei. The system irrigates roughly 5,300 square kilometres of farmland and was inscribed by UNESCO in 2000, together with Mount Qingcheng.

— informed by UNESCO World Heritage
the water

The genius of Dujiangyan is that it works without a dam. The fish-mouth levee divides the Min into an outer and inner channel by the curvature of the bed alone. At low water, the inner channel carries roughly six tenths of the flow into the farmland, while the outer channel carries the rest downstream. At flood, the proportion reverses, and the Feishayan weir spills the excess back over a low sill. Sediment that would silt a reservoir is flushed downstream every season. The works have run continuously for more than 2,200 years.

— informed by Wikipedia
the visit

The site sits inside Dujiangyan Scenic Area and is reached by high-speed rail from Chengdu in about thirty minutes. A general ticket admits visitors to the headworks, Erwang Temple on the bluff above, and the long Anlan suspension footbridge across the Min. Most visitors walk the loop in roughly two hours. Mount Qingcheng, the Taoist mountain inscribed with the site, lies fifteen kilometres south and is a separate ticket. The 2008 Sichuan earthquake damaged Erwang Temple, which was rebuilt and reopened in 2009; the headworks themselves were undamaged.

— informed by UNESCO World Heritage
where
People's Republic of China · Dujiangyan, Sichuan
position
31.0024° N · 103.6132° E
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
15 km S
Mount Qingcheng
Taoist mountain
50 km SE
Chengdu
city
at the lake
Erwang Temple
temple
N
Dujiangyan
Mount Qingcheng
Chengdu
Erwang Temple
common questions

What people ask.

A few questions we get about Dujiangyan — and about bringing the piece home.
about the place

Construction began around 256 BC under the Qin governor Li Bing, more than 2,200 years ago. The system has run continuously since, with rebuilds of the bamboo headworks but no change to the basic plan.

Li Bing, the Qin governor of Shu, laid out the works around 256 BC with his son Erlang. Both are honoured at Erwang Temple on the bluff above the headworks.

The fish-mouth levee splits the Min by bed curvature alone. The inner channel takes roughly six tenths of low water and a smaller share at flood; the Feishayan weir spills excess back.

The works supply roughly 5,300 square kilometres of farmland across the Chengdu Plain, the agricultural base that made Sichuan the Land of Abundance through most of imperial Chinese history.

UNESCO inscribed Dujiangyan in 2000, jointly with Mount Qingcheng. The citation noted both the engineering of the headworks and the Taoist religious landscape on the mountain above the river.

The May 2008 earthquake damaged Erwang Temple on the bluff above the river, which was rebuilt and reopened in 2009. The headworks themselves were undamaged and continued to operate through the year.

about the piece in your home

It has been a meaningful gift for many of our customers with roots in Chengdu. Dujiangyan is a source of regional pride. A Small or Medium with a handwritten note carries well.

The colours run cool: river jade, dark cypress, the grey stone of the levee. The tile sits well in Japandi, Chinoiserie, and quiet-luxury interiors that already lean toward natural materials.

Yes. Japandi favours specific landscapes with cultural weight over generic nature prints. A tile of Dujiangyan offers a grounded East Asian anchor without the brighter palette of a Kyoto temple piece.

A single Large reads well above a console or narrow sofa. For a wider sofa, a four-tile Mural carries the wall, and a nine-tile Mural anchors a full feature wall.

Yes, in the Dura Satin or Matte finish. Both are scratch-resistant and tolerate humidity well, so the tile installs cleanly as a backsplash, shower surround, or framed piece beside a vanity.

A soft microfibre cloth and water are enough. For the glossy finish, a little mild dish soap lifts kitchen residue. Avoid abrasive sponges and any cleaner that contains ammonia or bleach.

Yes. Every WenderVista tile is original to the studio. Reid curates each place, and the visual language is ours alone: no licensing, no third-party imagery, one studio from start to finish.

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