Wender·Vista
Iguaçu Falls
shown on ceramic, 12-inch tileBrazil
on the Iguaçu River, where Brazil meets Argentina

Iguaçu Falls

— the sound a forest makes when it falls.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Two hundred and seventy-five separate falls strung across a basalt curve nearly two miles wide, the Iguaçu River dropping into a gorge on the border of Paraná and Misiones. The Brazilian side gives the panorama — the full arc, the mist, the Devil's Throat seen across the canyon. The Argentine side puts you on top of the water. Coatis work the boardwalks. Great dusky swifts fly through the spray to their nests behind the falls. A place that belongs to no nation and both. from the studio

from the studio
Iguaçu Falls
— bring it home

Iguaçu Falls, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Iguaçu Falls

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Iguaçu Falls sit on the Iguaçu River at the border of Paraná state in Brazil and Misiones province in Argentina, about fourteen miles upstream of the river's confluence with the Paraná. The system spans roughly 2.7 kilometres along a basalt escarpment and is made of 275 individual cataracts, the largest being the U-shaped Garganta do Diabo / Garganta del Diablo — the Devil's Throat — which alone drops about 80 metres. Iguaçu National Park on the Brazilian side was inscribed as a UNESCO World Heritage Site in 1986, two years after its Argentine counterpart. Together the two parks protect one of the largest remaining tracts of Atlantic Forest in the world.

the water

Average flow over the falls is about 1,500 cubic metres per second, with floods that have pushed past 45,000. The river runs east-to-west across a Paraná Basin basalt sill laid down roughly 130 million years ago in the Cretaceous, and the cataracts retreat upstream at a measurable rate as the basalt edges spall. Inside the Devil's Throat the spray rises high enough that a column of mist is visible from Foz do Iguaçu town on clear afternoons. Great dusky swifts nest on the cliffs behind the cataracts and fly through the falling water at dusk to reach the rock.

the visit

The Brazilian park, headquartered at Foz do Iguaçu in Paraná, runs a paved walk of about 1.2 kilometres from the shuttle stop down to a catwalk just below the Devil's Throat — the panorama side. The Argentine park, reached from Puerto Iguazú in Misiones, runs the Upper and Lower Circuits and a separate train to the rim of the Throat — the immersive side. Most travellers do both, on different days, crossing at the Tancredo Neves Bridge. Hours and entry fees are set by ICMBio in Brazil and the Administración de Parques Nacionales in Argentina; both parks open daily.

where
Brazil · Foz do Iguaçu, Paraná
within
Iguaçu National Park
elevation
164 m · 538 ft
position
-25.6953° S · 54.4367° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
20 km W
Foz do Iguaçu
border city
30 km N
Itaipu Dam
hydroelectric dam
18 km SW
Puerto Iguazú
Argentine border town
2 km E
Parque das Aves
bird park
N
Iguaçu Falls
Foz do Iguaçu
Itaipu Dam
Puerto Iguazú
Parque das Aves
common questions

What people ask.

A few questions we get about Iguaçu Falls — and about bringing the piece home.
about the place

About 275 individual cataracts strung along a 2.7-kilometre basalt escarpment on the Iguaçu River. The largest is the Devil's Throat, a U-shaped drop of roughly 80 metres on the Brazil-Argentina border.

On the Iguaçu River at the border of Paraná state in Brazil and Misiones province in Argentina, near the river's confluence with the Paraná. The Brazilian gateway is Foz do Iguaçu; the Argentine gateway is Puerto Iguazú.

The Brazilian side gives the panorama — the full arc seen across the canyon. The Argentine side puts visitors on top of the cataracts via the Upper and Lower Circuits and a train to the Devil's Throat. Both are worth a full day.

The Argentine park was inscribed by UNESCO in 1984, the Brazilian park in 1986. Together they protect one of the largest remaining tracts of subtropical Atlantic Forest in South America.

Garganta do Diabo in Portuguese, Garganta del Diablo in Spanish. A U-shaped cataract where roughly half the river's flow drops about 80 metres in a single curve, with a permanent column of spray visible for miles.

Coatis on the boardwalks, capuchin monkeys in the canopy, great dusky swifts nesting behind the cataracts, plus jaguars, tapirs, and toucans in the deeper Atlantic Forest of the two national parks.

about the piece in your home

It carries well for someone from Foz do Iguaçu, Puerto Iguazú, or anyone for whom the falls mark a honeymoon, a crossing, or a first South American trip. A Small or Medium with a handwritten note from the studio lands well.

Biophilic interiors, jewel-tone maximalism, and tropical-modernist rooms. The deep greens and water-whites of the painting hold up against rattan, dark walnut, and emerald or peacock textiles.

Yes. Biophilic design has moved toward specific named landscapes rather than generic foliage prints, and a tile reading as one of the world's great waterfalls fits that shift. A Medium reads strongest on a feature wall.

Above a console or entry table, a single Large. Above a standard sofa, a 4-tile Mural; above a long sectional, the 9-tile Mural. A Small holds a reading nook or stair landing.

Yes, in either the Dura Satin or Matte finish. Both are scratch-resistant and humidity-stable, which suits a water-subject piece in a steamy room. Glossy is for framed wall art away from splash.

A microfibre cloth with water. The colour lives inside the ceramic surface beneath a thin protective layer. No special cleaners, polishes, or sealants needed.

Yes. Every WenderVista piece is original to the studio in Knoxville, Tennessee. No licensed images, no stock photography. One eye, one atlas, one family studio.

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