Wender·Vista
Christ the Redeemer
shown on ceramic, 12-inch tileBrazil
above Rio, on the summit of Corcovado

Christ the Redeemer

— arms wide, as the cloud comes through.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

The statue sits 710 metres above Rio, on the granite back of Corcovado. Most mornings the clouds arrive at the elbows before they reach the city. The cog train climbs out of Cosme Velho through the Tijuca forest; people get quiet on the last switchback. From the platform the bay opens, and the figure above is smaller than expected and stiller than expected.

from the studio
Christ the Redeemer
— bring it home

Christ the Redeemer, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Christ the Redeemer

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Cristo Redentor stands on the summit of Corcovado, a 710-metre granite peak inside Tijuca National Park, the urban forest that wraps the western half of Rio de Janeiro. The figure is 30 metres tall on an 8-metre pedestal, with arms spanning 28 metres. Designed by Heitor da Silva Costa with sculptor Paul Landowski, it was inaugurated on 12 October 1931 after nine years of work. The exterior is faced in pale soapstone quarried near Ouro Preto in Minas Gerais, chosen for weather resistance.

— informed by Wikipedia
the stone

The surface is not concrete or marble but soapstone, small triangular tiles of the same Minas Gerais talc-rich rock used for colonial church carvings. Workers and volunteers cut the tiles by hand and pasted them onto the reinforced-concrete frame across the 1920s. The pale grey absorbs sea light gently, which is why the figure reads as a single carved object from the Copacabana shoreline rather than a panelled monument. A 2010 restoration replaced fungus-stained tiles using stone from the original quarry near Carrancas.

— informed by Wikipedia
the visit

Most visitors reach the summit by the Trem do Corcovado, a cog railway running from Cosme Velho since 1884, the line that delivered the original construction materials. The trip up takes about twenty minutes through second-growth Tijuca forest. Authorised vans from Paineiras and Copacabana are the other approved routes; private cars stop at the lower gate. The monument opens daily at 8:00 and crowds peak between 11:00 and 14:00. Cloud cover at the platform is common in summer.

— informed by Tijuca National Park
where
Brazil · Rio de Janeiro, Brazil
within
Tijuca National Park
elevation
710 m · 2,329 ft
position
-22.9519° S · 43.2105° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
5 km E
Sugarloaf Mountain
granite peak
8 km SE
Copacabana
beach
at the lake
Tijuca Forest
urban rainforest
7 km NE
Maracana Stadium
football arena
N
Christ the Redeemer
Sugarloaf Mountain
Copacabana
Tijuca Forest
Maracana Stadium
common questions

What people ask.

A few questions we get about Christ the Redeemer — and about bringing the piece home.
about the place

The figure is 30 metres tall standing on an 8-metre pedestal, for a total of 38 metres from base to crown. The arms span 28 metres from fingertip to fingertip.

Construction ran from 1922 to 1931, led by Brazilian engineer Heitor da Silva Costa with French-Polish sculptor Paul Landowski. It was inaugurated on 12 October 1931 to mark the centenary of Brazilian independence.

A reinforced-concrete core faced with thousands of triangular soapstone tiles, cut by hand from a talc-rich quarry near Ouro Preto in Minas Gerais. The soapstone weathers well and reads as a single pale grey surface.

The Trem do Corcovado cog railway leaves from Cosme Velho and climbs through Tijuca National Park in about twenty minutes. Authorised vans run from Paineiras and Copacabana. Private cars stop at the lower gate.

Corcovado is the tallest peak in the immediate Rio bowl at 710 metres, visible from nearly every neighbourhood. A monument here was proposed as early as the 1850s; the modern project was approved by President Epitacio Pessoa in 1922.

Early morning, between 8:00 and 10:00, when the cloud line usually sits below the summit and the bay light is clearest. Summer afternoons from December to March bring fog that hides the figure for minutes at a time.

about the piece in your home

It carries well to anyone who grew up with Corcovado on the skyline. A Medium or Large holds the silhouette at room scale; a Keepsake with a handwritten studio note works for someone living abroad.

The pale soapstone grey and storm-cloud palette sit comfortably in Coastal-modern, Mountain-modern, and quiet Maximalist rooms. The vertical composition reads well above a console table or beside a tall doorway.

Yes. The Tijuca forest backdrop and granite peak give the piece a clear nature-rooted reading, which sits in the biophilic family alongside Coastal-modern. A Large or 4-tile Mural anchors a living wall well.

A single Large reads above a console or smaller sofa. For a standard three-seat sofa, a 4-tile Mural sits in proportion; a 9-tile Mural is for tall walls and feature installations.

Yes, with the Dura Satin or Matte finish. Both are scratch-resistant and tolerate steam and splashes. Glossy is for dry walls only. The colour lives in the surface and will not lift in moisture.

Yes. Every WenderVista piece is made in one Knoxville studio with no outside licensing. Reid Wender chooses each place and finishes each tile before it ships.

if this one stayed with you

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