— — the colour the road takes home with you.
“The capital of Mato Grosso do Sul, set on a low plateau where the cerrado opens west toward the Pantanal. Locals call it Cidade Morena for the rust-red earth that stains shoes, tyres, and the white walls of the older houses. Wide avenues, ipe trees that go yellow in August, and the slow southern Brazilian Portuguese that softens every consonant.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Campo Grande sits at roughly 592 metres on the Maracaju plateau in central-western Brazil, the capital of Mato Grosso do Sul since the state's creation in 1977. The city was founded in 1899 by settlers from Minas Gerais and grew along the Noroeste do Brasil railway that reached it in 1914. Today around 900,000 people live there, and the city serves as the road and air gateway to the northern Pantanal wetlands roughly 200 kilometres west.
The nickname Cidade Morena comes from the deep red latosol that covers the surrounding cerrado — iron-rich tropical soil weathered over millions of years from the underlying basalt of the Paraná basin. Older neighbourhoods carry a permanent dust line along their lower walls. In the dry months from June to September the colour intensifies; the first storms of October turn the streets briefly into shallow rivers of ochre water before the drains catch up.
Most visitors arrive at Campo Grande International Airport and stay one or two nights before continuing to Bonito or to one of the Pantanal lodges along the Estrada Parque. The Feira Central, open Wednesday through Sunday evenings, is the city's best-loved meal — sobá noodles brought by Okinawan immigrants in the 1950s, served alongside pastel and caldo de piranha. The Museu das Culturas Dom Bosco holds an unusually deep collection of Bororo and Xavante material.