Wender·Vista
Brasília
shown on ceramic, 12-inch tileBrazil
on the central plateau of Brazil

Brasília

— a city drawn on paper before it had ground.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Lúcio Costa drew the plan in 1957 on five index cards. Oscar Niemeyer answered with white curves above a dry red plateau. The cathedral opens like sixteen folded hands. The two towers of Congress hold a dome and a bowl between them. From the air, the city still reads as the shape a pilot would draw — wings out, nose pointed east. from the studio

from the studio
Brasília
— bring it home

Brasília, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Brasília

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

Brasília sits on the central plateau of Brazil at about 1,172 metres, in the Federal District carved from the state of Goiás. President Juscelino Kubitschek moved the capital inland from Rio de Janeiro and inaugurated the new city on 21 April 1960, after roughly forty-one months of construction. The Plano Piloto, drawn by Lúcio Costa, lays the residential and ministerial axes in a cross often read as a bird in flight. UNESCO inscribed the city as a World Heritage Site in 1987, the youngest entry on the list at the time.

— informed by UNESCO, Wikipedia
the stone

Concrete is the material of Brasília. Oscar Niemeyer poured it into curves the city had not seen before — the sixteen hyperboloid ribs of the Cathedral of Brasília, the inverted dome and rising bowl of the National Congress, the slender pilotis of the Palácio da Alvorada. Engineer Joaquim Cardozo solved the structural problems Niemeyer's drawings asked. White surfaces sit hard against the red Cerrado earth. The Three Powers Plaza, finished in 1960, gathers the executive, legislative, and judicial buildings within walking distance of one another.

the year

The city was built in roughly forty-one months. Ground broke in 1956; the inauguration ceremony was held on 21 April 1960, the date Tiradentes is remembered. Workers, called candangos, arrived from the Northeast and lived in encampments that later hardened into satellite towns — Taguatinga, Ceilândia, Sobradinho. The Cerrado's dry season runs May through September, with low humidity and clean afternoon light; the wet season returns the red dust to the air. Independence Day parades fill the Esplanada dos Ministérios every 7 September.

where
Brazil · Brasília, Distrito Federal
elevation
1,172 m · 3,845 ft
position
-15.7939° S · 47.8828° W
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
2 km E
Cathedral of Brasília
modernist cathedral
3 km E
National Congress
legislative complex
7 km E
Palácio da Alvorada
presidential residence
3 km E
Three Powers Plaza
civic plaza
5 km E
Lago Paranoá
artificial lake
4 km W
JK Memorial
memorial
N
Brasília
Cathedral of Brasília
National Congress
Palácio da Alvorada
Three Powers Plaza
Lago Paranoá
JK Memorial
common questions

What people ask.

A few questions we get about Brasília — and about bringing the piece home.
about the place

President Juscelino Kubitschek moved the federal capital inland from Rio de Janeiro to develop Brazil's interior. Construction ran from 1956 to 1960. The new city opened on 21 April 1960 with a population near 140,000.

Lúcio Costa won the 1957 competition for the Plano Piloto, the urban plan. Oscar Niemeyer designed nearly all of the major civic buildings. Roberto Burle Marx shaped the gardens and many of the public landscapes.

Costa's Plano Piloto crosses two axes — the Monumental Axis running east to west, and the Residential Axis curved north and south. Read from above, the layout resembles a bird or an airplane in flight.

Yes. UNESCO inscribed Brasília on the World Heritage List in 1987 for its urban planning and modernist architecture. It was, at the time, the youngest city on the list and remains one of few twentieth-century capitals so recognised.

The Cathedral of Brasília, finished in 1970, is built from sixteen curved concrete ribs that open toward the sky. Stained glass by Marianne Peretti and three suspended angels by Alfredo Ceschiatti fill the interior with coloured light.

The dry season runs roughly May through September on the central plateau. Skies stay clear, humidity drops sharply, and afternoon light reads gold against the red Cerrado earth. The wet months from October through March bring daily storms.

about the piece in your home

Often. Brasília-born candangos and Brasilienses recognise the city's curves quickly — the cathedral's ribs, the Congress dome and bowl. A Medium with a handwritten note from the studio carries well to a former resident or a returning architect.

The whites, reds, and clear blues read well against modernist interiors, mid-century rooms, and Brazilian-modern spaces with raw wood and concrete. A single Large works as an architectural focal point over a low sideboard.

Brazilian modernism is in a renewed moment in design press. The piece reads at home alongside Sergio Rodrigues seating, woven jute, and warm concrete surfaces. A Mural reads as an intentional architectural reference rather than a souvenir.

A single Large fills most sofas. For a long sectional or wide console, a four-tile Mural carries the wall, and a nine-tile Mural turns the architecture into a room-defining surface.

Yes. Choose the Dura Satin or Matte finish for any wall that meets steam or splatter. Both resist scratching and clean with microfibre and water. The Glossy finish is best kept to dry walls.

Microfibre cloth and water. Skip household cleaners with abrasives or solvents — they are unnecessary and can dull the surface over time. The colour lives in the ceramic, so no surface polish is needed.

Yes. Reid Wender curates every WenderVista piece and the studio finishes each tile in Knoxville, Tennessee. The work is not licensed from any third party. Each piece carries the studio mark on the reverse.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.