Wender·Vista
Australian Convict Sites
shown on ceramic, 12-inch tileAustralia
across eleven sites from Sydney to Tasmania to Fremantle

Australian Convict Sites

— the colony Britain sent across the sea.

Where it lives

Not only on a wall.

A small tile on the nightstand catching the morning. A larger one above the fire. Yours, wherever you spend the slow hours.
On the nightstand, a 6-inch on a walnut stand
Among the books, a 6-inch leaning into the spines
Beside the kettle, a 12-inch propped
Down a quiet hall, an 18-inch floating off the wall
Above the fire, the 24-inch in a walnut surround
a note from the studio

Eleven places where the British Empire put its convicts to work. Hyde Park Barracks in Sydney. Port Arthur on the Tasman Peninsula. The Cascades Female Factory under Mount Wellington. Fremantle Prison's limestone wall. Kingston on Norfolk Island, the hardest of them. The sandstone is the same warm yellow at all of them, and the sea is never far. from the studio

from the studio
Australian Convict Sites
— bring it home

Australian Convict Sites, on ceramic.

Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.

What kind of piece?
One tile — square or rectangle.
How big?
the popular one — counter, shelf, nightstand
6 × 6 in · 15 cm · 1.6 lb
Surface finish
A clear glossy finish — the artwork reads as if under resin. Ideal for show-pieces and framed wall art.
How it sits
A hidden cleat — sits ¼″ proud of the wall.
$58
Hand-finished and shipped from our studio at the foot of the Smokies. On your wall in about ten days.
size
6 × 6 in
15 cm
weighs
1.6 lb
solid in the hand
surface
ceramic, hand-finished
art rests beneath a thin glossy finish
from
Knoxville, TN
our family studio, at the foot of the Smokies
— start a Coaster Set

Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.

about Australian Convict Sites

The place, in three passes.

A little of what's known, in case you fall down the rabbit hole — or want to go see it yourself.
the place

The Australian Convict Sites are a serial UNESCO World Heritage property of eleven separate places, inscribed in 2010, that together represent the largest forced migration of convicts in modern history. Between 1787 and 1868 the British government transported roughly 166,000 men, women, and children to Australia. The sites are spread across four jurisdictions: New South Wales, Tasmania, Western Australia, and the external territory of Norfolk Island. They include penal stations, female factories, a probation station, and the administrative quarters of the convict system.

the stone

Most of the sites are built in the warm yellow Sydney and Tasmanian sandstone the convicts themselves quarried. Hyde Park Barracks in Sydney, designed by emancipated convict Francis Greenway and opened in 1819, is the only surviving large-scale convict barracks. Port Arthur on the Tasman Peninsula operated from 1830 to 1877 and held more than 12,000 men over its lifetime. Fremantle Prison, completed in 1859 by convict labour using local limestone, was Western Australia's last working maximum-security gaol; it closed in 1991.

the visit

Each of the eleven sites is independently managed and ticketed. Port Arthur, on the Tasman Peninsula about ninety minutes east of Hobart, is the largest tourable site and includes night-time Lantern-Lit Ghost Tours. Hyde Park Barracks at Macquarie Street in central Sydney runs as a self-guided audio museum. Kingston and Arthur's Vale on Norfolk Island, the most remote site, is reached by a two-hour flight from Sydney or Brisbane. Cascades Female Factory in Hobart and Old Government House at Parramatta complete the most-visited core of the serial property.

where
Australia · New South Wales · Tasmania · Western Australia · Norfolk Island
the neighborhood

What's nearby.

A handful of named places within an hour's walk or short drive. Some we've already painted; some we will.
at the lake
Port Arthur Historic Site
penal station
at the lake
Hyde Park Barracks
convict barracks
at the lake
Cascades Female Factory
women's penal station
at the lake
Fremantle Prison
convict prison
at the lake
Kingston and Arthur's Vale
Norfolk Island settlement
N
Australian Convict Sites
Port Arthur Historic Site
Hyde Park Barracks
Cascades Female Factory
Fremantle Prison
Kingston and Arthur's Vale
common questions

What people ask.

A few questions we get about Australian Convict Sites — and about bringing the piece home.
about the place

They are a serial UNESCO World Heritage property of eleven penal sites across Australia, inscribed in 2010, that together represent the British transportation of roughly 166,000 convicts between 1787 and 1868.

Hyde Park Barracks, Cockatoo Island, Old Government House Parramatta, Old Great North Road, Port Arthur, Cascades Female Factory, Coal Mines, Brickendon-Woolmers, Darlington probation station, Fremantle Prison, and Kingston on Norfolk Island.

Convict transportation began with the First Fleet's arrival at Sydney Cove in 1788 and continued until 1868, when the last transport ship, the Hougoumont, reached Fremantle in Western Australia.

Port Arthur, on the Tasman Peninsula in Tasmania, operated as a major penal station from 1830 to 1877. Its scale, intact ruins, and tourable grounds make it the most-visited site in the serial property.

Yes. Kingston and Arthur's Vale Historic Area on Norfolk Island is reached by a two-hour flight from Sydney or Brisbane. The site was used during both the first and second penal settlements.

Convicts themselves built nearly all of them. Hyde Park Barracks was designed by Francis Greenway, an emancipated convict architect. Fremantle Prison was built by transported convicts in local limestone in the 1850s.

about the piece in your home

It's been a meaningful gift for our customers tracing convict ancestors or studying colonial Australia. A Small or Medium with a handwritten card from the studio carries well.

The warm sandstone palette and shadowed interiors sit well in Mountain-modern rooms, Industrial-warm spaces, and Jewel-tone Maximalist studies where one anchor piece sets the wall.

Yes. Heritage-modern, mixing warm stone palettes with clean lines, has held strong across 2025–2026 design press, particularly in studies and lived-in libraries.

A single Large reads as one quiet image. A 4-tile Mural carries above a long sofa; a 9-tile Mural anchors a console wall and gives the sandstone its full weight.

Yes. Order it in Dura Satin or Matte for those rooms — both are scratch-resistant and humidity-tolerant. The Glossy finish is for framed wall pieces in dry rooms.

A dry microfibre cloth handles dust. For smudges, microfibre dampened with water. No solvents and no abrasives — the colour lives in the ceramic surface, beneath a thin protective finish.

Yes. Every WenderVista piece is painted in our studio's stained-glass and alcohol-ink visual language, slowly infused into the ceramic surface under high heat and pressure. Single studio, no licensing.

if this one stayed with you

A few you might also love.

Hand-picked by the eye that found Sorapis. Same air, same kind of quiet.