— the white city the sea wind keeps polishing.
“The second city of Algeria, set on a wide Mediterranean bay below the fort of Santa Cruz. Spanish, Ottoman and French centuries are written into the streets. The birthplace of raï music and the setting of Camus's plague-bound city. The sea wind blows across the heights most afternoons. Observed from the studio, held in colour on the tile beneath a thin glossy finish.
Each tile is finished by hand in our Knoxville studio. Artwork is slowly infused into the ceramic surface under high heat and pressure, and rests beneath a thin glossy finish. The colour lives in the surface, not on top of it.
Pick any four 4-inch tiles — National Parks you've been to, a Smokies set, the four seasons of one place. $ for a set of , cork-backed, ready to live on the table.
Oran is the second-largest city in Algeria and the principal port of the country's western coast, with a metropolitan population of roughly 1.5 million. It sits on a deep Mediterranean bay below the limestone massif of the Murdjadjo, about 430 kilometres west of Algiers. The city was founded around 903 by Andalusian Moorish merchants, taken by the Spanish in 1509, ruled by the Ottomans from 1708, retaken briefly by Spain, then occupied by France in 1831. Independent Algeria reclaimed it in 1962.
The Fort of Santa Cruz crowns the Murdjadjo at about 400 metres above the harbour, built by the Spanish between 1577 and 1604 and later expanded under Philip III. Next to it stands the Chapel of Santa Cruz, raised in 1850 after a cholera epidemic. Down in the old city, the Mosque of the Pasha, built in 1796 of stone reportedly carried from the Spanish forts, anchors the lower town. Place du 1er Novembre, with its 1898 marble obelisk, marks the colonial-era civic centre.
Oran is the birthplace of raï, the Algerian popular music that emerged from the cafés and bordellos of the colonial-era port in the 1920s and reached the world stage with Cheb Khaled, Cheb Mami, and the late Cheikha Rimitti. The annual Festival International de Raï, held each summer, draws crowds from across the Maghreb. The city is also the setting of Albert Camus's 1947 novel La Peste, in which a plague seals the gates and the Mediterranean shuts the city in from the east.